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2by Vasiliy Nikolayevich Ivanov, Antonina Fedorovna Koriakina, Gulnara Egorovna Savvinova, Ruslan Nikolayevich Anisimov“...The issue on the origin of the Yakut heroic epic Olonkho was covered in works in history...”
Published in Journal of History Culture and Art Research (2018)
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3by Vasiliy Nikolayevich Ivanov, Antonina Fedorovna Koriakina, Gulnara Egorovna Savvinova, Ruslan Nikolayevich Anisimov“...The issue on the origin of the Yakut heroic epic Olonkho was covered in works in history...”
Published in Journal of History Culture and Art Research (2018)
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4by Sargylana Vladimirovna Ivanova, Lidiya Egorovna Manchurina“... method contributed to reveal the stylistic originality of the artistic style in relation to other styles...”
Published in Journal of History Culture and Art Research (2018)
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5by Praskovia Vasilyevna Sivtseva-Maksimova“..., the inner completeness of a unified expression of the idea; and the originality, all of which cannot simply...”
Published in Journal of History Culture and Art Research (2018)
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6by Praskovia Vasilyevna Sivtseva-Maksimova“..., the inner completeness of a unified expression of the idea; and the originality, all of which cannot simply...”
Published in Journal of History Culture and Art Research (2018)
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7by Sargylana Vladimirovna Ivanova, Lidiya Egorovna Manchurina“... method contributed to reveal the stylistic originality of the artistic style in relation to other styles...”
Published in Journal of History Culture and Art Research (2018)
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8by Nadezhda Volodarovna Pokatilova, Nadezhda Anatolyevna Orosina“... which vary in their origins. Olonkho by one of the first Yakut authors, P.A. Oyunsky allows one to trace...”
Published in Journal of History Culture and Art Research (2018)
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9by Nadezhda Volodarovna Pokatilova, Nadezhda Anatolyevna Orosina“... which vary in their origins. Olonkho by one of the first Yakut authors, P.A. Oyunsky allows one to trace...”
Published in Journal of History Culture and Art Research (2018)
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10[al-Mukhtaṣar fī bayān al-iʻtiqād maʻa Sharḥ al-Fiqh al-akbar, 1141, i.e. 1729 and 1140, i.e. 1728].by 880-01 Yaḥyā ibn Abī Bakr al-Ḥanafī., 880-05 Ibrāhīm ibn ʻAbd Allāh, fl. 1729, scribe., 880-04 Maghnīsāwī, Aḥmad ibn Muḥammad, -1591 or 1592. Sharḥ al-Fiqh al-akbar.“... or Asīr-i malāḥidah, an Arabic rendering of the author's own work on doctrine originally composed...”
Published 1728
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11by Ali Mohamed Rashed علي محمد رشيد“... to choose a novel (bath in Trafalgar Square) Israeli writer Iraqi origin (Sami Mikhail) which is one...”
Published 2018
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12by Ali Mohamed Rashed علي محمد رشيد“... to choose a novel (bath in Trafalgar Square) Israeli writer Iraqi origin (Sami Mikhail) which is one...”
Published 2018
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13by خالد عبد نمال“... as well as what the Pope originally called for in order to divide property between Spain and Portugal. A...”
Published 2019
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14by خالد عبد نمال“... as well as what the Pope originally called for in order to divide property between Spain and Portugal. A...”
Published 2019
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15“... effects of Babylon in ancient times reflecting their achievements and their origins and historical rooms...”
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16by Aboul-Fadhl Ahmad ibn Mohammad al-Maïdani al-Naïsabouri. Auteur du texte, Ahmad ibn Mohammad al-Maïdani (Aboul-Fadhl). Auteur du texte“...-ghalib wal-maghloub Kitab al-sami fil-asami Numérisation effectuée à partir d'un document original...”
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17by Liliya Nikolaevna Gerasimova, Sakhaya Danilovna Lvova“... not established among the lexical indicators of the two epics. The common ancient Turkic origin have two...”
Published in Journal of History Culture and Art Research (2018)
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18by Irina Vladimirovna Sobakina, Tamara Ivanovna Petrova“... of the monumental poetic creation of the people must guarantee the "recognizability" of the original, i.e...”
Published in Journal of History Culture and Art Research (2018)
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19by Irina Vladimirovna Sobakina, Tamara Ivanovna Petrova“... of the monumental poetic creation of the people must guarantee the "recognizability" of the original, i.e...”
Published in Journal of History Culture and Art Research (2018)
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20“... not necessarily reproduce the number of parallelisms in the original. Thus, when translated into Russian...”
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