THROUGH AN INTERARTISTIC VIEW: PLASTICITY IN THE COLLECTIVE WORK CONSTELAÇÕES
ABSTRACT This article reflects on the inter-artistic perspective on plasticity in the collective Constelações, by Hilal Sami Hilal with the participation of young students from public schools from the state education of Vitória in ES, exhibited in 2016, in the cultural space of Palácio Anchieta - He...
Main Authors: | , , |
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Format: | Article in Journal/Newspaper |
Language: | English |
Published: |
2022
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Subjects: | |
Online Access: | https://zenodo.org/record/7295304 https://doi.org/10.5281/zenodo.7295304 |
Summary: | ABSTRACT This article reflects on the inter-artistic perspective on plasticity in the collective Constelações, by Hilal Sami Hilal with the participation of young students from public schools from the state education of Vitória in ES, exhibited in 2016, in the cultural space of Palácio Anchieta - Headquarters of the State Government. To this end, the comparative image becomes the foundation of research, evidencing different points of view in relation to gestural, calligraphic and memory aspects in the creative process, approaching the relationship between matter and memory from the reflections of Henri Bergson. The interartistic studies of the work Constellações dialogue with aspects taken by subjective ideas, however, the metalinguistic character is intertwined with experiences and reconstructions through affective relationships, which are linked to the construction of identity, the evocation of personal or collective memory, which they translate and materialize in the expression of imagery. After some tests of the handmade paper recipe, improved techniques and poetic maturation, the experiments gave way to productions full of meanings, weaving plastic, aesthetic questions and philosophical reflections related to matter and memory. The manufacturing process took place in schools, crowded with affective memories. The main proposal of the Constellations project was to make possible artistic-pedagogical experiences |
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