Sjevernoirski sukob kroz prizmu vizualne umjetnosti

• Main Author: Jurjević, Iva
• Other Authors: Klasić, Hrvoje
• Format: Bachelor Thesis
• Language: Croatian
• Published: Sveučilište VERN. 2022
• Subjects: Sjevernoirski sukob; izvještavanje medija; vizualna umjetnost; Northern Ireland conflict; media coverage; visual art; DRUŠTVENE ZNANOSTI. Informacijske i komunikacijske znanosti; SOCIAL SCIENCES. Information and Communication Sciences; sami
• Online Access: https://repozitorij.vern.hr/islandora/object/vern:2218; https://urn.nsk.hr/urn:nbn:hr:146:770568; https://repozitorij.vern.hr/islandora/object/vern:2218/datastream/PDF

Cilj ovoga završnog rada je postići novu dimenziju shvaćanja važnosti vizualne umjetnosti unutar Sjevernoirskoga sukoba. Povijesni je kontekst sukoba nužan kao kronološka odrednica, odnosno kao signal njegova intenziteta te dugotrajnosti, a za te su potrebe primarni izvori dostupna stručna literatura i prigodno izvještavanje medija u širem vremenskom rasponu. Za potrebe je pak prikaza prigodno izabrano deset murala koje će se nastojati smjestiti u primjereni vremenski, prostorni te politički kontekst, čime se nadamo postići precizniji prikaz tijeka sukoba te njegovih posljedica na teritorij Sjeverne Irske. Posljednja stavka rada uspostavlja odnos stanovnika prema muralima, za što su izvori murali sami, dostupna svjedočanstva o njima te, kao sekundarni izvor, primjerena literatura. The main goal of this paper is to try and achieve a better light on the understanding of the role visual arts has played in the Northern Ireland conflict. The historical context of the conflict is necessary as a chronological determinant of everything and as proof of the intensity and duration of the conflict, for the purposes of this part of the paper the primary source is available literature on the subject and media coverage in different time spans. Furthermore, the representation of the contents on the walls, ie the mural, will show the course of the conflict as well as its consequences for the territory of Northern Ireland. For the purposes of the representation, ten examples of murals have been singled out that will be analyzed in detail and attempted to be placed at the time of the action. The last part of the paper is to determine the importance of murals for the inhabitants for whose purpose the primary source will be murals as well as available testimonies, and the literature will serve as a secondary source.