| Summary: | Anishinabeg are not strangers to photography. Like many Indigenous communities in North America and elsewhere, Anishinabeg have a history of being pictured by governments, artists, and researchers working within the confines of colonial thought and practice. Not surprisingly, much of this colonial artwork has drawn considerable scholarly critique, calling attention to issues including misuse of power, cultural appropriation, assimilation, and misrepresentation. While this work continues to be significant in contributing understanding of how colonialism played out visually and materially, it may also unintentionally generate the misconception that Indigenous Peoples were only the subjects of the camera or had little or no authority over the photographic experience. Indeed, photography has its own history and place within the creative practices and traditions of many Indigenous Peoples. This research project explores the role of Anishinabe photography in the reclamation and continuance of Anishinabe stories, memories, and knowledge among Anishinabe families with ancestral and present day ties to Anishinabe lands in the northwest region of Ontario. As a result of imposed colonial legislation, Anishinabeg in this region have been displaced from their traditional lands, which has had direct consequences on their ability to retain their language, culture, and life skills. Today, Anishinabeg live in the aftermath of colonial violence perpetuated against their ancestors. The severing of land and kin connections has left many Anishinabeg struggling with issues including loss of identity and sense of belonging. Despite of these ongoing challenges, Anishinabeg have struggled to recover and maintain their knowledge, language, sovereignty, and spirituality through various personal and shared activities and initiatives. This research incorporates a research framework that integrates visual, narrative, and material strategies to directly confront the aforementioned colonial legacies of erasure and disappearance of Anishinabeg. ...
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