Texas Passages

Passages, newsletter of the Institute of Texan Cultures, 1986-1991. T Vol. V INo.2 Fall 1990 • E • x . A • s The University of Texas Institute of Texan Cultures at San Antonio What Will Become of the Printed Word in the 21st Century? In 1982 the late John H. Jenkins published a pamphlet entitled &qu...

Full description

Bibliographic Details
Main Author: University of Texas Institute of Texan Cultures at San Antonio
Format: Text
Language:English
Published: University of Texas Institute of Texan Cultures at San Antonio 1990
Subjects:
Kay
Online Access:http://digital.utsa.edu/cdm/ref/collection/p16018coll6/id/104
Description
Summary:Passages, newsletter of the Institute of Texan Cultures, 1986-1991. T Vol. V INo.2 Fall 1990 • E • x . A • s The University of Texas Institute of Texan Cultures at San Antonio What Will Become of the Printed Word in the 21st Century? In 1982 the late John H. Jenkins published a pamphlet entitled "The Future of Books:' in which he envisioned the complete demise of the publishing industry by the year 2000 and the evolution of books on videodisc or other computer media to a point "beyond our present ability to imagine:' The prospect, he concluded, was both bewildering and exciting. With the recent installation of on-line computer access to library catalogs at The University of Texas at Austin and at San Antonio, and working projects to develop computer resources in the Institute of Texan Cultures Library and for classroom learning (see Jack Reynolds's article in Passages, Vol. V, No.1), the bewilderment and the excitement are indeed upon us. In such an environment it is therefore appropriate to consider books and the making of books, past, present, and-possibly-future. This coming November the Institute will devote con­siderable effort to doing just that by sponsoring a symposium and a traveling exhibit. {continued on page 2} Carl Hertzog (continued from page i) Good bye to a River ,\I I '"1.1' • " . ~I I'I' •• I 1', \ I>" , : • 1 ~II The symposium will occur on Saturday, November 10. Titled "The Printed Word in the 21st Century;' it will feature lectures by internationally recognized figures in the bookmaking and publishing world, including Sandra Kirshenbaum, editor of Fine Print magazine in San Fran­cisco; John Dreyfus, typographer and printing historian from London; Dr. Rolando Hinojosa-Smith, novelist, philosopher, and professor at The University of Texas at Austin; John Y. Cole, director of the Center for the Book in the Library of Congress; and a representative from one of the major book retailers in the United States. Al Lowman, historian, bibliophile, and longtime research associate at the Institute of Texan Cultures, is responsible for organizing the symposium and the exhibit and will also speak to the gathering. The exhibit, The Printing Artistry of Carl Hertzog, will include books, pamphlets, and printed ephemera created by Hertzog during his 60-year career in El Paso. Carl Hertzog was born at Lyons, France, of American parents on February 8, 1902. He grew up in Pittsburgh, Pennsyl­vania. His career as a printer began with the gift of a toy printing press when he was ten. Although influenced by Porter Garnett of Carnegie Tech, Hertzog was largely self­taught and, after apprenticeship at the Owl Print Shop in Wheeling, West Virginia, he came to El Paso in 1923, where he was first employed at the W.S. McMath Com­pany. There he designed his first books. The years 1927 through 1929 he spent as advertising manager for the El Paso Sash and Door Company. In 1930 he joined the Rocky Mountain Bank Note Company, which had a large-scale printing operation. In 1934 Hertzog opened his own commercial press. From 1948 until 1972 he taught a course in book design and typog­raphy and served as founding director of the Texas Western Press at The University of Texas at El Paso. Even in retirement he produced an occasional book or pamphlet and was fascinated by the new technologies that were transforming his profession. Plagued for many years by fragile health, he died at his El Paso home on July 24, 1984. Today Carl Hertzog's reputation is known wherever fine books are admired and respected. hf}-I:E l(lNG RANCPI J!f TOM LEA HSLlKC!I HOLLAND McCOMBS .1 "SOT.! no." FRANr1S L. FUG,\TE Funding for the exhibit and symposium is being pro­vided by the Texas Committee for the Humanities, the Texas Center for the Book in Dallas, and the Texas Library Association. The exhibit will be free and open to the pub­lic. A $25 registration fee is required for the symposium and includes a noon luncheon. Seating is limited to the first 400 registrants. D Texas Passages is published quarterly by The University of Texas Institute of Texan Cultures at San Antonio as an in fo r­mation resource on subjects relating to Texas history and culture as well as current issues affecting the state. Comments and suggestions concerning this publication should be directed to the News and Information Department, Institute of Texan Cultures, P.O. Box 1226, San Antonio, Texas 78294, (512) 226-7651. Editor: Dr. James C. McNutt, Director of Research and Collections Associate Editor: Carey Deckard, Director of News and Information Contributors: Lynn Catalina, Patrick McGuire, Barbara Stanush Production Staff: Sandra H. Carr, Bill Holloway, Lynn Weiss 2 A Polish-Texan Perspective by Patrick McGuire Panna Maria: An Image of Polish Texans is a special exhibit on display at the Institute of Texan Cultures through October 21, 1990. A photographic essay, it is Joseph Jaworski's (b. 1949, Pawlow, Poland) view of Amer­ica's first Polish colony, Panna Maria, founded in 1854. Jaworski completed his photo essay as his Master of Arts thesis at The University of Texas at Austin in 1988. For the Institute's exhibition, his masterful, yet gentle, photo­graphs are supplemented by artifacts which reflect their contents. The artifacts are on loan from the Panna Maria Historical Society and Museum and the Church of the Immaculate Conception. In addition, the Institute's new videotaped program on Panna Maria is being presented for the first time. Joe Jaworski explained his motivation for the photo essay: "As a Polish emigre, I had had a long-standing desire to return to Poland to document life in a small village . . . . During the Texas Sesquicentennial celebration in 1986 I was invited to submit photographs for a special exhibi­tion sponsored by the Texas Photographic Society. In a search for subject matter related to my heritage I located a cluster of Polish communities near San Antonio: Cesto­chowa, Kosciuszko, and Panna Maria. The excursion to photograph there in April 1986 was quite rewarding, not only in that three images eventually appeared in the exhibit, but that the hospitality and charm of the Polish communities made them feel like a long-lost home. I revisited there in December 1986 and decided there was good potential for a long-term documentary project. Panna Maria, as the oldest Polish settlement in the United States, provided an important focal point:' The Polish-born artist, who was brought to America by his parents and later served in the Vietnam War, nurtured an early interest in photography. He observed of his arrival in Austin in 1980, "At that time, the Uournalism] depart­ment was full of dreamers and doers and was awash with Flower children at the outdoor Mass of the Feast of the Virgin Mary 3 excitement, determination, and friendly competition. The photo classes were structured in such a way that a student not only fulfilled curriculum requirements, but partici­pated in grander projects, such as exhibitions and large­scale free-lance projects. Those opportunities nurtured my interest in documentary photography and increased my interest in Texas culture:' As Joe Jaworski discovered in Texas, '~t first glance, Panna Maria looks very much like any other small, rural Texas community, with concerns typical of small towns Reverend Frank Kurzaj directs San Antonio's Holy Name Polish Choir and Panna Maria's Immaculate Conception choirs for the papal visit. nowadays. Its population is dwindling due to migration of the young toward the urban areas, declining farm prices, and disappearing family farms . . . . Its future is uncertain. Although Panna Maria seems to be well inte­grated into the broader culture of Southwest Texas, its roots remain ingrained in its relations with the Catholic Church, which continues to define its special character:' During his project in the late 1980's Jaworski discovered what many already knew-the church was central in the community. He later wrote of his experiences, "Polish emigrants regarded their national parish in America as both a religious and community center, a replica of their village and church in Poland and of all the activities associated with them. Such activities included not only schooling, but also those serving spiritual, social, cultural, and welfare needs. Thus the church, through the parish organization, was a unifying factor and helped maintain the cohesion of the primary group, perhaps more so in the United States than in Poland:' The public is invited to a special "Polish Pioneer Day:' Sunday, September 23, 1-4 p.m., at the Institute. The celebration will include the exhibit and special activities. The Panna Maria Polish Choir and San Antonio Polish Dancers will perform, beginning at 2:30 p.m., and demonstrations of Polish folk crafts and hands-on activities for children will be offered by the Polish Arts and Culture Foundation of San Antonio. 0 Patrick McGuire is a Research Associate Vat the Institute of Texan Cultures and author of several books. N either wind nor rain can stop the opening of the T?xas Folklife Festival. Festival DirectorIo Ann ' Andera is joined in the ribbon­cutting ceremony by Jennifer Gayle Daughtrey, winner of the "Why I'm Proud of my Texas Heritage" essay contest, and the Hon. Humberto Hernandez-Haddad, Consul General of Mexico. The essay competition was sponsored by Colgate-Palmolive. An estimated 120,000 people attended the 1990 Texas Folklife Festival, enjoying the food, entertainment, and crafts of the more than 30 ethnic groups represented. Susan Luton of Lubbock, apprentice to General Ponder, long-time maker of bent­willow furniture, hammers the back of a chair together. Ponder and Luton are participants in the Folk Arts Apprentice­ship Program sponsored by Texas Folklife Resources of Austin and funded by the Folk Arts Program of the National Endowment for the Arts. The popular Ukrainian Dancers of Dallas delight another large crowd with their high-spirited routines. 4 "Bubba" the steer, ridden by owner Gary Henry, seems to be enjoying the opening­day activities, as he sports the Festival balloon on his horn. "Kids' Day" proves a delightful event for some 6,500 children who took advantage of the free Sunday admission. Lt. Gen. John McGiffert, Executive Director of the Institute, welcomes the hearty souls who gathered in the rain for the opening ceremonies. In Our Multicultural Society, the World Is at Our Doorstep by Barbara Stanush My elementary school was named Thscan after a Lenape Indian chief, but we didn't know this history because it wasn't taught to us. One day a boy in kilts came to class, having just been evacuated from Scotland during World War II. We didn't laugh at his garb, but we didn't inquire about his customs either. Neither did we make inquiries when our Jewish friends missed school because of their High Holy Days. In the predominantly WASP New Jersey suburb where I grew up, teachers and children alike did not ask ques­tions about history and culture unless they were posed by the textbooks. We didn't know much about religious and ethnic groups that differed from our own. I remember learning about places such as Prince Edward Island in Canada because we made maps with India ink and drew pictures of their products. But these were "foreign" places. What if I had learned about the cultures of Malcolm and Sol, my classmates, and of Chief Thscan, who had camped on the school ground? What if my teacher had been so excited about their cultures that she researched them and told us about the plaids denoting Scottish clans and about the ram's horn that was blown to begin the Jewish New Year or, better yet, let Malcolm and Sol tell us? I wouldnave been carried away! I would have grown up with a different understand­ing about the world and 'my neighbors, beginning in my back yard. Things we learned as children became part of us. As adults it can take years to internalize learnings. It wasn't until after I married a Texan and moved to San Antonio that the full impact of our nation's multicultural heritage hit me. In 1966, then-Governor John Connally declared that the state would "do something big" for the upcoming world's fair, HemisFair '68, and appointed R. Henderson Shuffler of The University of Texas to plan the Texas Pavilion. The Institute of Texan Cultures, as it came to be called, was way ahead of its time. Shuffler, a man of vision, wanted to tell the true story of Texas: not the "shoot-ern-up" cowboy myths, but actual accounts of the many ethnic groups that settled Texas. "The English, the Irish, the Negro, and the Italian were playing their roles in Texas history before the first Anglo­American crossed the Sabine;' he said. And before that there were Native Americans and the Spanish and Mexi­can pioneers. 'IWenty-six ethnic groups were recognized in the pavilions. There was a new vision, and old stereo­types bit the dust. We are a nation of immigrants. Even the Native Ameri­cans came, originally, across the Bering Strait from Asia. Today two-thirds of the world's legal immigrants come to 5 the United States. We are all either immigrants or descen­dants of immigrants. We need to know this history. In this age of fragmentation and loss of identity, we need more than ever what the Institute of Texan Cultures has to offer: the connections, the stories of who we are and where we came from, where we're going. Amazingly, the Institute of Texan Cultures is the only state institution in the country devoted to honoring the multitude of cultures within [the state's] boundaries. Learning about our cultural and ethnic groups helps strengthen our identity. It builds pride in our heritage. It helps put the pieces of our lives together. As John McGiffert, director of the Institute, says, "Everybody has a heritage that has brought something good to our culture:' Today some 370,000 people visit the Institute annually, and more than 100,000 attend the Texas Folklife Festival each summer. The real life of the Institute is far more, however. John McGiffert refers to it as "a unique learn­ing factory:' Henderson Shuffler implemented his vision of intercultural understanding through the Institute of Thxan Cultures. Books, pamphlets, audiovisuals, and traveling exhibits are produced. Hundreds of volunteers as well as staffers tell the stories of Texas history and culture, not just on the exhibit floor but, increasingly, throughout the state. Teachers from across Texas who attend summer classes extend the message to thousands of students. The education program is directed by Bonnie Truax, a former volunteer herself, who translates the Institute vi­sion into exciting programs that are keyed to the state­mandated curriculum. New programs are being developed to help keep students in school until they graduate. Summer workshops for fourth and seventh grade teach­ers have begun. Teachers will create their own lesson plans, and this fall their students will ponder questions such as "Are people really different?" as they study ethnic groups. They might learn a Czech song, interview a Black rancher, or make a Caddo Indian pot. One teacher said, "When it comes from me personally, my students grasp it quickly and retain it:' Her students made a German rice dish and found it tasted just like their breakfast dish, arroz de atoIe. As they sought out more in- (continued on page 6) Multicultural {continued from page 51 TRAVELING EXHIBITS Traveling exhibits are designed by the Institute of Texan Cultures so that all Texans can enjoy learning about the state's ethnic heritage. The exhibits can be found at schools, businesses, libraries, malls, museums, and other public buildings throughout the state. The following list will help you locate the Institute exhibit on display near you. For information or to reserve an exhibit, contact the Traveling Exhibits Coordinator, {512} 226-7651, Ext. 223. Archeology in Texas September 24-0ctober 24: ALLEN/Ford Middle School Library The 18th Century Origins of the Tejano Community in San Antonio formation about the German Texans, they also came to value aspects of their own culture that they had previously taken for granted. September 1-30: EL PASO/Chamizal National Memorial Park One-Room Schoolhouse August 13-24: CARROLLTON/Carrollton Public Library September 1-30: FARMERS BRANCH/Farmers Branch Manske Library The Institute of Texan Cultures has a message that needs to reach every classroom in the state. Their lessons build on the best of Texas traditions. They infuse our young people with pride in themselves, an appreciation of others, and a sense of their role in the larger world. Grounded in their past, these young Texans are our future. 0 Reach for the Sky: Aviation in Texas Express-News, June 6, 1990 September 1-30: FARMERS BRANCH/Farmers Branch Manske Library Scholars, Scoundrels, and Schoolteachers: Education in Texas September 13-0ctober 13: TEXARKANNTexarkana College Barbara Stanush is an educational consultant, poet, and author of Texans: A Story of Texan Cultures for Young People. Treasure, People, Ships, and Dreams October I-December 31: BOCA RATON, FLlChildren's Museum CALENDAR OF EVENTS SEPTEMBER Through October 21 Panna Maria: An Image of Polish Texans- Photo essay by Joseph Jaworski documents the town of Panna Maria and its people. (See page 3.) Lower Gallery. Free and open to the public. September 23, 1- 4 p.m. Polish Pioneer Day-This special event will celebrate the Panna Maria Exhibit and the heritage of all Polish Texans. (See page 3.) Includes lecture by Joseph Jawor­ski, 1:00 p.m., Auditorium. Free and open to the public. OCTOBER October 5, 10 a.m. -2 p.m. Inter-American Book Fair: Multicul­tural Children's Program-Cospon­sored with the Guadalupe Cultural Arts Center, this program will feature an ex­hibit of multicultural children's books, storytellers, and a panel discussion on "Multicultural Literature for Children:' Free and open to the public. October 6, 3 p.m. Inter-American Book Fair: "Multicul-tural Literacy: What Hirsch and Bloom Forgot" -This panel discussion, cosponsored with the Guadalupe Cultur­al Arts Center, will include participation by Ishmael Reed, Claribel Alegria, and Maxine Hong Kingston. Free and open to the public. October 9-November 15 Rare Middle Eastern Books and Man­uscripts - In conjunction with the Mid­dle Eastern Studies Association and the Humanities Research Center in Austin, the Institute will exhibit a collection of rare books and manuscripts. Included are Koranic, Omar Khayyam, and Islamic jurisprudence materials, and items from the William Jones Collection. Main Ex­hibit Floor. Free and open to the public. October 28, 1-4 p.m. Spooky Sunday - Families are encour­aged to wear costumes and enjoy a vari­ety of Halloween activities, from pump­kin decorating and scary movies to story­telling and a costume parade. Free and open to the public. 6 October 28-November 11 EI Dia de los Muertos Of rend a -To commemorate this religious observance, the Institute will exhibit a "Day of the Dead" altar. In Mexico this custom honors those who have passed away, helps sur­vivors deal with death and grief, and focuses on the cyclic conception of fertil­ity and life for the future. Spanish­Mexican Area, Exhibit Floor. NOVEMBER November 10 The Printed Word in the 21st Cen­tury - This symposium, held in conjunc­tion with the Hertzog exhibit, will discuss the future of the printed word. (See page 1.) There will be a registration fee for the symposium. Reservations can be made beginning in mid-September. November 11-January 6 The Printing Artistry of Carl Hertzog­This exhibit will feature the books, pam­phlets, and other printed materials creat­ed by Hertzog in his 60-year career in EI Paso and reveal how technique, style, and attitudes changed in those decades. , \ NEW MEMBERS ALLIANCE Gayna Aude Argentina Balderrama Joan Brooks Jennie Burkett Jerry Calvert Jacob Contreras Martha Cray Cathy Crosby Jo Cullinane Dorothy Denny Jane Dougherty Edward Frazer Yvonne Garcia John Gauna Eva Gill Lea Glisson Victor Gonzales Jim Goodgion Priscilla Goodgion Joan Hall Fred Hallsworth Lonnie Icke Loraine Ivy Margie Kemp Carrie Keynon Beverly Kirk Linda Knell William Knod Barry Koch Jay Lau Fran Levinson Philip Love Yolanda Loyd Jo Helen Matheson Bridget McNeeley John Medeiros Betty Moxley Teri O'Brien Mike Pelletier Teresa Perez-Garcia Leticia Rivera Althea Smith Mary Smith Barbara Tracy David X. Vidaurri Larry Williams Patrick Word AMBASSADORS Mr. and Mrs. Roger Arbuckle, Corpus Christi Mrs. Dorcas Huff Baumgartner, Waelder Ms. Judi Benestante, Coldspring Mrs. Elizabeth R. Brown, Laredo Mrs. Judy Ferguson, Lufkin ' Mr. James Fietsam, Floresville Mrs. Kay Honaker, Fort Stockton Mrs. Sara Hutchinson, Boling Mrs. Barbara Rodgers, El Paso Dr. Wayne C. Smith, Lamesa Mrs. Denise Thedford, El Campo Mr. Lynn M. Weber, Killeen ASSOCIATES {New Members from September 1989 -July 5, 1990} Mr. and Mrs. Comer M. Alden Jr. Mary Kathryn Alonso Mrs. Florence Anderson The Apothecary Pharmacy Mr. and Mrs. Edward H. Austin Jr. Baird Realty Ms. Mary Faye Barnes The Barshop Partnership Ltd. Belton lSD/Lakewood Elementary School Dr. Henry L. Bernstein Mr. Danny Berry Toma'6 Birriel-Carmona, M.D. Mrs. Kay R. Black Mr. and Mrs. Walter H. Block Ms. Roberta J. Bohach Ms. Beth C. Bradley Mr. and Mrs. Frank D. Breazeale Brite & Vickers Broadway National Bank Mr. and Mrs. Jean William Brown Mr. and Mrs. William R. Bruce Mrs. Charles e. Bush III Ms. Loyce Byman Mr. Clifton Caldwell Mr. Frank W. Calhoun Mr. Henry V. Campbell Jr. Mr. and Mrs. David P. Carter Bob and Sandra Cauthorn Ms. Dorothy Cauthorn Mr. and Mrs. Robert Cauthorn Mr. and Mrs. S.W. Cauthorn Mr. and Mrs. Virgil Cauthorn Mr. and Mrs. C.E. Cheever Mr. Charles M. Chesnutt Mr. and Mrs. James R. Childress Mr. P.L. Childress Jr. Ms. Stephanie Clay Ms. Wilma Cofer Mr. and Mrs. B.W. Coleman Brig. Gen. (ret.) John W. Collins Mr. C.w.w. (Tex) Cook Mr. and Mrs. William Cothren Mr. and Mrs. Billy Cox Dairy Queen Dal-Tile Roswitha B. Davies Mr. Gilbert M. Denman Jr. Ms. Gabriele Dierig Dillard's Department Store Mr. and Mrs. e.G. Dinsmoor Mrs. Margaret V. Drake Mr. Don N. Duncan East Texas Insurance Agency East Texas State University Mr. and Mrs. Thomas H. Edson Ms. Bobbie H. Fawcett Ms. Jo Beth Fawcett Mrs. Horace Fawcett Mr. and Mrs. Eugene E. Featherstone Mrs. Paulette Fertitta First National Bank of Gilmer Mrs. G.P. Foster Paul and Mary Alice Fuller Mr. Robert D. Garner Jr. Mr. Jack V. Gates The Gilmer Mirror Gilmer National Bank Ms. Leatha D. Glisson Norman and Esther B. Goldberg Mr. Christopher Goldsbury/ Pace Foods Mr. James W. Gorman Mr. and Mrs. Paul H. Gowen Mr. Gregory Grammer Mrs. Joe M. Green Jr. Mr. Baxter Grier Mrs. Harold M. Grist Ms. Martha Guethle H.E.B. Grocery Company Vickie and James Hamby Ms. Joyce Hancock Fred and Frankie Lee Harlow Mrs. Charles Henson Mr. and Mrs. Max P. Herbst Mr. George C. Hixon Mrs. R.w. Hodge Mr. David B. Holland Ms. Gera Howard Mrs. Doris L. Howell Mr. and Mrs. Amos F. Humphrey Mr. and Mrs. Santiago Hyslop Institute of Cultures for the Wimberley Valley Mr. Belton K. Johnson Mrs. Pamela Karam Mr. Elmer Kelton Mrs. Harris L. Kempner Mr. and Mrs. Jeffrey L. Kerr Mr. and Mrs. John e. Korbell Ms. Mary Hess Korth Mr. Ron Lamar LaQuinta Motor Inns, Inc. Mr. and Mrs. Clifton B. Lowery Ms. Trudy L. Mallory Mr. Paul R. Mayo Mr. John W. McCloud Mr. Richard Mendiola Mr. Vaughan B. Meyer Mr. Joel Michalek Mrs. W.L. Miers Mr. Eugene Miller Mr. and Mrs. Michael L. Morris Ms. Sara Cook Mullican Nederland Historical50ciety Mr. William Negley Robert and Beverly Nickel Mr. Monte Noelke Ms. Carol B. Ortega Mr. Chester N. Parsons Mr. Louis Pearce Jr. Mr. and Mrs. James W. Phillips Jr. Mrs. Robert L. Qualia Mrs. Fairfax C. Randall Mr. Ralph E. Randel RoiJert S. Ray, M.D. Reagan National Advertising Mrs. Glen Richardson 7 Mr. and Mrs. Louis J. Richter Jack and Janie Riggs Rockwell Fund Inc. Mrs. Frances Kelly Rose Mr. and Mrs. Martin Rose Jr. Mr. Joe David Ross Dr. and Mrs. Adalberto Ruiz III Mr. J.L. Runyan Jr. San Antonio Area Foundation Elsie Schwiening Mr. and Mrs. George Sealy Sellers Ranch Mr. L.R. Shaver Mrs. Velda M. Shaw Mr. and Mrs. W.M.H. Shaw Mrs. Carl D. Shearrer Mrs. Gale H. Shiffrin Mr. and Mrs. O. Strother Simpson Jr. Mrs. Deborah Lightfoot Sizemore Mrs. Helen Smith Mr. James Y. Smith Southwestern Bell Telephone Company Stewart Insurance Agency Sweeny l.S.D. Mrs. Lou E. Swinney Mr. and Mrs. Noble J. Taylor Tesoro Petroleum Corporation Elliott J. Trester, M.D., and Barbara J. Wilson Mrs. Denise Thedford Mr. Frank Thmer Mr. and Mrs. Percy R. Thrner Dr. and Mrs. Tim R. Thrner Valero Energy Corporation Mr. Benton Wardlaw Mr. and Mrs. Martin Wardlaw Mr. and Mrs. W.H. Wardlaw Jr. Mr. and Mrs. John H. Watts West of the Pecos Museum Mr. and Mrs. John Weston Westside Elementary School Ms. Cindy Earwood Whitehead Ms. Emma F. Whitehead Mr. and Mrs. F.H. Whitehead Jr. Dr. and Mrs. John A. Williamson Ms. Ruthe Winegarten Mr. and Mrs. T.W. Winters Mr. and Mrs. Tim Word Ms. Mary Phillips Wright Mrs. Nancy Young Bartell and Mollie Zachry - - - --- ~ --- ANew Texas Passages The first issue of Texas Passages appeared in early 1986. In it we declared our intention to observe and report the "celebrations and solemnities which mark human exis­tence" in the state and the passages - ritual, migratory, written, spoken, fabricated - which Texans undertake. Articles on Spanish colonial entrepreneurs and contem­porary photographers, Creole accordionists and Mexican­American adoberos, Hungarian immigrants and Black educators have borne witness to the diversity of people and experiences in Texas. The early issues contained 8 pages, the later ones 16, but the wealth of topics and the issues and activities that involve people at the Institute cannot be adequately addressed, even in the larger format. For this reason the Institute is considering embarking on yet another "passage" to a larger, more inclusive quar­terly publication. Plans are to increase the number of printed pages, expand the standard features to include reg­ular columns, book reviews, and cultural events of note around the state, and develop each issue with particular themes or ideas treated from different perspectives. Such a venture will, however, cost money. Therefore, we would like to hear from you. Would you consider sub­scribing to a larger version of Texas Passages? How many friends or acquaintances could you encourage to subscribe? Please give us your reply in the attached postage-paid envelope, along with any other comments you may have. We look forward to hearing from you. 801 S. Bowie Street/P.O. Box 1226 San Antonio, Texas 78294 r --- 1 I I I D Yes, I would subscribe to a larger version of Passages. : I f D No, I would not subscribe. : 1 1 1 1 f I I suggest the following persons as potential subscribers to Texas Passages: Name ________________________________________ __ Address ______________________________________ ___ City _______________________ State __ Zip _ _ Phone ( __ ) ______ _ Name ________________________________________ __ Address _____________________________________ ___ City ______________________ State __ Zip, ___ _ Phone ( __ ) ______ _ Name ______________________________ ~ ____ _ Address __________________________________ ___ City _____________________ State __ Zip __ _ Phone ( __ ) ______ _ ~ --- ~ Nonprofit Organization U.S. POSTAGE PAID San Antonio, Texas Permit No. 364 f f I I I I f I I f 1 1 I 1 1 I I I