Witchy Politics: Witches and Witchcraft as Political Tropes from Malleus Malleficarum (1487) to Les Sorcières de la République (2016) and The Mercies (2020)
The focus of this thesis are two recent novels featuring witches: Chloé Delaume’s Les Sorcières de la République(The Witches of the Republic, 2016) and Kiran Millwood Hargrave’s The Mercies (2020). The first is a futuristic dystopia set in 2062, during the witch trial of the Sibyl of Cumae. The seco...
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| Language: | English |
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UNM Digital Repository
2023
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| Online Access: | https://digitalrepository.unm.edu/fll_etds/165 https://digitalrepository.unm.edu/context/fll_etds/article/1172/viewcontent/Witchy_Politics___Witches_and_Witchcraft_as_Political_Tropes_from.pdf |
| Summary: | The focus of this thesis are two recent novels featuring witches: Chloé Delaume’s Les Sorcières de la République(The Witches of the Republic, 2016) and Kiran Millwood Hargrave’s The Mercies (2020). The first is a futuristic dystopia set in 2062, during the witch trial of the Sibyl of Cumae. The second is a work of historical fiction based on witch trial records and set in seventeenth-century Finnmark (Norway). Both are feminist novels, and both emphasize the political valence of the witch as a gendered figure. This figure emerged from the misogyny of early modern demonology but acquired its contemporary contours through second-wave feminism, which seized on the witch as an emblem of feminine power and solidarity against patriarchal oppression. Delaume’s Les Sorcières de la République and Hargrave’s The Mercies engage directly with this complex historical legacy, either by “correcting” the documentary record left behind by demonologists, or by underscoring the shortcomings of the political ideals embraced by second-wave feminists. |
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