Grieving places, sovereign places: Storied space in louise erdrich’s the round house
This essay makes a contribution to the current conversation on Native American resurgence in the context of settler colonial dispossession and displacement. It responds to the pressing need to overcome simplistic representations of Native Americans and place by acknowledging the essential relational...
| Published in: | Roczniki Humanistyczne |
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| Main Author: | |
| Format: | Article in Journal/Newspaper |
| Language: | English |
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2020
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| Online Access: | http://zaguan.unizar.es/record/98444 https://doi.org/10.18290/rh206811-9 |
| Summary: | This essay makes a contribution to the current conversation on Native American resurgence in the context of settler colonial dispossession and displacement. It responds to the pressing need to overcome simplistic representations of Native Americans and place by acknowledging the essential relationality of identity, articulated as being-with-the-land and grounded normativity. It does so by providing an analysis of Anishinaabe writer Louise Erdrich’s The Round House (2012) focused on relevant symbolism, characterization and themes around the re-storying of Native selves and lands that articulate the novel as a decolonial palimpsest made of different but intricately interwoven layers. The essay leads to the conclusion that Erdrich’s novel is an act of re-mapping in words that restores agency to Indigenous peoples, re-enfranchises American Indian grief, acknowledges the complex, intricate relation to settler colonial ways, and reformulates sovereignty on its own terms. Keywords: Native American fiction; resurgence; palimpsest; land-as-identity; land-as-relationship. |
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