Pucaj! Georgea Boweringa: neispričana priča o pokoravanju kanadskog Zapada
U radu će se analizirati roman Shoot! (Pucaj!) (1994) kanadskog autora Georgea Boweringa s obzirom na način na koji postkolonijalnim čitanjem dekonstruira veliku pripovijest (grand récit) bijele povijesti kanadske provincije Britanske Kolumbije na primjeru povijesnih likova, kanadskih mestika braće...
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Hrvatsko filološko društvo
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Online Access: | http://darhiv.ffzg.unizg.hr/id/eprint/8118/ http://hrcak.srce.hr/161715 http://darhiv.ffzg.unizg.hr/id/eprint/8118/1/Polic.pdf |
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ftunivzagrebff:oai:darhiv.ffzg.unizg.hr:8118 2023-05-15T16:16:36+02:00 Pucaj! Georgea Boweringa: neispričana priča o pokoravanju kanadskog Zapada Shoot! by George Bowering: the untold story of the conquest of the canadian West Polić, Vanja 2013 application/pdf http://darhiv.ffzg.unizg.hr/id/eprint/8118/ http://hrcak.srce.hr/161715 http://darhiv.ffzg.unizg.hr/id/eprint/8118/1/Polic.pdf hr hrv Hrvatsko filološko društvo http://darhiv.ffzg.unizg.hr/id/eprint/8118/1/Polic.pdf Polić, Vanja. (2013). Shoot! by George Bowering: the untold story of the conquest of the canadian West. Umjetnost riječi : časopis za znanost o književnosti, 57(3-4). pp. 203-225. ISSN 0503-1853 English language and literature Article NonPeerReviewed 2013 ftunivzagrebff 2020-12-13T11:14:41Z U radu će se analizirati roman Shoot! (Pucaj!) (1994) kanadskog autora Georgea Boweringa s obzirom na način na koji postkolonijalnim čitanjem dekonstruira veliku pripovijest (grand récit) bijele povijesti kanadske provincije Britanske Kolumbije na primjeru povijesnih likova, kanadskih mestika braće McLean. Pritom će težište analize biti na strategijama konstruiranja bijele imperijalne povijesti pomoću koncepata bijele uljuđenosti (Coleman), bijele kože (whiteness) i hijerarhije unutar bijelosti, britanskosti (Britishness) kojom se ta hijerarhija nastojala poništiti, te održavanja reda u društvu pomoću zakona. Pokazat će se kako u romanu funkcioniraju polifonija i dijalogičnost (Bahtin) stavljanjem u prvi plan zatomljenih pripovijesti Prvih naroda i naroda Métis te kako roman koji pripada historiografskoj metafikciji (Hutcheon), služeći se fragmentiranim pripovjednim nizovima i ironijom, nudi mnogostranu povijest nastanka kanadskog društva. The article analyzes strategies by which Canadian writer George Bowering in the novel Shoot! (1994) deconstructs the master narrative of the white settlement of Canada on the example of a historical event, the story of the McLean brothers and Alex Hare, excluded from the official history of the Canadian province of British Columbia. Strategies of the construction of white history are dissected, especially with regard to the construction of white colonial identity and legitimation of land appropriation: those are the concept of white civility based on the isochronous understanding of societal development which justifies English superiority over other societies; the concept of Britishness through which the subordinated ethnicities within the British isles erased their differences and adopted English identity before the rest of the world; belief in the imperial legislation as the guarantee of the society’s civility. Colonization and racism were also justified through these white discourses. Bowering in the novel offers a counter-discourse to the white monologism through the polyphony and dialogism because the novel is literally a weave of numerous stories from the oral traditions of the First Nations as well as stories from white historical archives. Postcolonial analysis of the novel shows how from the white perspective the contact zone (Pratt) produced the abject (Kristeva), the unwanted »race« of the Métis who were perceived as a threat to the ordered white society and were proof of the dark side of land appropriation and abuse of the indigenous people. The article also discusses the colonial policy of identifying First Nations and Métis with children, Queen’s people, which was yet another legitimation tactic for the depravation of the autochthonous population in Canada. Finally, it is shown how Bowering uses irony to indicate the necessity of a wider reconceptualization of the official Canadian history. Article in Journal/Newspaper First Nations University of Zagreb: Digitalni arhiv Filozofskog fakulteta u Zagrebu British Columbia ENVELOPE(-125.003,-125.003,54.000,54.000) Canada Coleman ENVELOPE(163.400,163.400,-77.533,-77.533) Pratt ENVELOPE(176.683,176.683,-85.400,-85.400) |
institution |
Open Polar |
collection |
University of Zagreb: Digitalni arhiv Filozofskog fakulteta u Zagrebu |
op_collection_id |
ftunivzagrebff |
language |
Croatian |
topic |
English language and literature |
spellingShingle |
English language and literature Polić, Vanja Pucaj! Georgea Boweringa: neispričana priča o pokoravanju kanadskog Zapada |
topic_facet |
English language and literature |
description |
U radu će se analizirati roman Shoot! (Pucaj!) (1994) kanadskog autora Georgea Boweringa s obzirom na način na koji postkolonijalnim čitanjem dekonstruira veliku pripovijest (grand récit) bijele povijesti kanadske provincije Britanske Kolumbije na primjeru povijesnih likova, kanadskih mestika braće McLean. Pritom će težište analize biti na strategijama konstruiranja bijele imperijalne povijesti pomoću koncepata bijele uljuđenosti (Coleman), bijele kože (whiteness) i hijerarhije unutar bijelosti, britanskosti (Britishness) kojom se ta hijerarhija nastojala poništiti, te održavanja reda u društvu pomoću zakona. Pokazat će se kako u romanu funkcioniraju polifonija i dijalogičnost (Bahtin) stavljanjem u prvi plan zatomljenih pripovijesti Prvih naroda i naroda Métis te kako roman koji pripada historiografskoj metafikciji (Hutcheon), služeći se fragmentiranim pripovjednim nizovima i ironijom, nudi mnogostranu povijest nastanka kanadskog društva. The article analyzes strategies by which Canadian writer George Bowering in the novel Shoot! (1994) deconstructs the master narrative of the white settlement of Canada on the example of a historical event, the story of the McLean brothers and Alex Hare, excluded from the official history of the Canadian province of British Columbia. Strategies of the construction of white history are dissected, especially with regard to the construction of white colonial identity and legitimation of land appropriation: those are the concept of white civility based on the isochronous understanding of societal development which justifies English superiority over other societies; the concept of Britishness through which the subordinated ethnicities within the British isles erased their differences and adopted English identity before the rest of the world; belief in the imperial legislation as the guarantee of the society’s civility. Colonization and racism were also justified through these white discourses. Bowering in the novel offers a counter-discourse to the white monologism through the polyphony and dialogism because the novel is literally a weave of numerous stories from the oral traditions of the First Nations as well as stories from white historical archives. Postcolonial analysis of the novel shows how from the white perspective the contact zone (Pratt) produced the abject (Kristeva), the unwanted »race« of the Métis who were perceived as a threat to the ordered white society and were proof of the dark side of land appropriation and abuse of the indigenous people. The article also discusses the colonial policy of identifying First Nations and Métis with children, Queen’s people, which was yet another legitimation tactic for the depravation of the autochthonous population in Canada. Finally, it is shown how Bowering uses irony to indicate the necessity of a wider reconceptualization of the official Canadian history. |
format |
Article in Journal/Newspaper |
author |
Polić, Vanja |
author_facet |
Polić, Vanja |
author_sort |
Polić, Vanja |
title |
Pucaj! Georgea Boweringa: neispričana priča o pokoravanju kanadskog Zapada |
title_short |
Pucaj! Georgea Boweringa: neispričana priča o pokoravanju kanadskog Zapada |
title_full |
Pucaj! Georgea Boweringa: neispričana priča o pokoravanju kanadskog Zapada |
title_fullStr |
Pucaj! Georgea Boweringa: neispričana priča o pokoravanju kanadskog Zapada |
title_full_unstemmed |
Pucaj! Georgea Boweringa: neispričana priča o pokoravanju kanadskog Zapada |
title_sort |
pucaj! georgea boweringa: neispričana priča o pokoravanju kanadskog zapada |
publisher |
Hrvatsko filološko društvo |
publishDate |
2013 |
url |
http://darhiv.ffzg.unizg.hr/id/eprint/8118/ http://hrcak.srce.hr/161715 http://darhiv.ffzg.unizg.hr/id/eprint/8118/1/Polic.pdf |
long_lat |
ENVELOPE(-125.003,-125.003,54.000,54.000) ENVELOPE(163.400,163.400,-77.533,-77.533) ENVELOPE(176.683,176.683,-85.400,-85.400) |
geographic |
British Columbia Canada Coleman Pratt |
geographic_facet |
British Columbia Canada Coleman Pratt |
genre |
First Nations |
genre_facet |
First Nations |
op_relation |
http://darhiv.ffzg.unizg.hr/id/eprint/8118/1/Polic.pdf Polić, Vanja. (2013). Shoot! by George Bowering: the untold story of the conquest of the canadian West. Umjetnost riječi : časopis za znanost o književnosti, 57(3-4). pp. 203-225. ISSN 0503-1853 |
_version_ |
1766002455032627200 |