Indigenous Television for the Majority: Analyzing NRK Sápmi’s Muitte Mu (Remember Me)

This article asks, “How can indigenous media fulfill its obligations toward the indigenous population while also connecting with the majority?” In the entertainment television series Muitte mu, produced by the indigenous public service broadcaster NRK Sápmi in Norway, famous Norwegian artists learn...

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Bibliographic Details
Published in:Television & New Media
Main Author: Sand, Stine Agnete
Format: Article in Journal/Newspaper
Language:English
Published: Sage Publishing 2019
Subjects:
Online Access:https://hdl.handle.net/10037/17844
https://doi.org/10.1177/1527476419857203
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spelling ftunivtroemsoe:oai:munin.uit.no:10037/17844 2023-05-15T18:14:49+02:00 Indigenous Television for the Majority: Analyzing NRK Sápmi’s Muitte Mu (Remember Me) Sand, Stine Agnete 2019-06-21 https://hdl.handle.net/10037/17844 https://doi.org/10.1177/1527476419857203 eng eng Sage Publishing Television & New Media Sand, S.S.(2019) Indigenous Television for the Majority: Analyzing NRK Sápmi’s Muitte Mu (Remember Me). Television & New Media, 2019 , 1-15 FRIDAID 1707152 doi:10.1177/1527476419857203 1527-4764 1552-8316 https://hdl.handle.net/10037/17844 openAccess Copyright 2019 The Author(s) VDP::Social science: 200::Media science and journalism: 310 VDP::Social science: 200::Social anthropology: 250 VDP::Samfunnsvitenskap: 200::Sosialantropologi: 250 Journal article Tidsskriftartikkel Peer reviewed acceptedVersion 2019 ftunivtroemsoe https://doi.org/10.1177/1527476419857203 2021-06-25T17:57:09Z This article asks, “How can indigenous media fulfill its obligations toward the indigenous population while also connecting with the majority?” In the entertainment television series Muitte mu, produced by the indigenous public service broadcaster NRK Sápmi in Norway, famous Norwegian artists learn to joik, a Sámi form of music. Muitte mu triggered a discussion concerning cultural appropriation and commercialization, as well as the traditionalist versus pragmatic and interethnic views of indigenous cultural expressions. One of NRK Sápmi’s goals is to share content about the Sámi, and, in a market-oriented media environment, the series uses Sámi iconography and celebrities to fulfill this goal. However, this approach does not necessarily resonate with its main obligation, which is to provide programming for the Sámi people. What is at stake in these debates are the credibility, relevance, and legitimacy of NRK Sápmi, all of which depend upon the recognition of the Sámi themselves. Article in Journal/Newspaper Sámi University of Tromsø: Munin Open Research Archive Norway Television & New Media 22 5 501 515
institution Open Polar
collection University of Tromsø: Munin Open Research Archive
op_collection_id ftunivtroemsoe
language English
topic VDP::Social science: 200::Media science and journalism: 310
VDP::Social science: 200::Social anthropology: 250
VDP::Samfunnsvitenskap: 200::Sosialantropologi: 250
spellingShingle VDP::Social science: 200::Media science and journalism: 310
VDP::Social science: 200::Social anthropology: 250
VDP::Samfunnsvitenskap: 200::Sosialantropologi: 250
Sand, Stine Agnete
Indigenous Television for the Majority: Analyzing NRK Sápmi’s Muitte Mu (Remember Me)
topic_facet VDP::Social science: 200::Media science and journalism: 310
VDP::Social science: 200::Social anthropology: 250
VDP::Samfunnsvitenskap: 200::Sosialantropologi: 250
description This article asks, “How can indigenous media fulfill its obligations toward the indigenous population while also connecting with the majority?” In the entertainment television series Muitte mu, produced by the indigenous public service broadcaster NRK Sápmi in Norway, famous Norwegian artists learn to joik, a Sámi form of music. Muitte mu triggered a discussion concerning cultural appropriation and commercialization, as well as the traditionalist versus pragmatic and interethnic views of indigenous cultural expressions. One of NRK Sápmi’s goals is to share content about the Sámi, and, in a market-oriented media environment, the series uses Sámi iconography and celebrities to fulfill this goal. However, this approach does not necessarily resonate with its main obligation, which is to provide programming for the Sámi people. What is at stake in these debates are the credibility, relevance, and legitimacy of NRK Sápmi, all of which depend upon the recognition of the Sámi themselves.
format Article in Journal/Newspaper
author Sand, Stine Agnete
author_facet Sand, Stine Agnete
author_sort Sand, Stine Agnete
title Indigenous Television for the Majority: Analyzing NRK Sápmi’s Muitte Mu (Remember Me)
title_short Indigenous Television for the Majority: Analyzing NRK Sápmi’s Muitte Mu (Remember Me)
title_full Indigenous Television for the Majority: Analyzing NRK Sápmi’s Muitte Mu (Remember Me)
title_fullStr Indigenous Television for the Majority: Analyzing NRK Sápmi’s Muitte Mu (Remember Me)
title_full_unstemmed Indigenous Television for the Majority: Analyzing NRK Sápmi’s Muitte Mu (Remember Me)
title_sort indigenous television for the majority: analyzing nrk sápmi’s muitte mu (remember me)
publisher Sage Publishing
publishDate 2019
url https://hdl.handle.net/10037/17844
https://doi.org/10.1177/1527476419857203
geographic Norway
geographic_facet Norway
genre Sámi
genre_facet Sámi
op_relation Television & New Media
Sand, S.S.(2019) Indigenous Television for the Majority: Analyzing NRK Sápmi’s Muitte Mu (Remember Me). Television & New Media, 2019 , 1-15
FRIDAID 1707152
doi:10.1177/1527476419857203
1527-4764
1552-8316
https://hdl.handle.net/10037/17844
op_rights openAccess
Copyright 2019 The Author(s)
op_doi https://doi.org/10.1177/1527476419857203
container_title Television & New Media
container_volume 22
container_issue 5
container_start_page 501
op_container_end_page 515
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