Anna Kavan and the New Zealand connection
This paper examines Anna Kavan’s sojourn in New Zealand from 1941-42 in the company of the pacifist playwright, Ian Hamilton. It discusses the effects of living in a remote provincial island on her thinking, emotions and work, as evinced in stories such as ‘Ice Storm’ and the essay ‘New Zealand: An...
Main Author: | |
---|---|
Format: | Conference Object |
Language: | English |
Published: |
2014
|
Subjects: | |
Online Access: | http://nectar.northampton.ac.uk/7006/ http://nectar.northampton.ac.uk/7006/1/Wilson20147006.pdf |
Summary: | This paper examines Anna Kavan’s sojourn in New Zealand from 1941-42 in the company of the pacifist playwright, Ian Hamilton. It discusses the effects of living in a remote provincial island on her thinking, emotions and work, as evinced in stories such as ‘Ice Storm’ and the essay ‘New Zealand: An Answer to an Enquiry’, published in Horizon (1943), in which she describes the country as ‘It’s null, it’s dull, it’s tepid, it’s mediocre; the downunder of the spirit’ (156). The paper refers to the recently published diary, ‘Five Months Further or What I Remember Ab[ou]t New Zealand’, to argue that living in New Zealand introduced a new creative dimension to Kavan’s work as she grappled with issues of distance, homelessness and disjunctive reality in what was, she realised later, a safe haven during the war years. The geographies, landscapes and small community of these pacific rim islands, the furthest south before Antarctica, gave a depth charge to her imaginative framework. The discussion will focus on the alternative/parallel world that New Zealand came to represent as imaged, for example, in the dystopian stories of I am Lazarus and the apocalyptic vision of her last novel, Ice. i Published in Anna Kavan’s New Zealand: A Pacific Interlude in a Turbulent Life, ed. Jennifer Sturm (Auckland: Random House/Vintage, 2009) |
---|