Alnôbakskwak: Native American Women Making Ceremonial Regalia

In the borderland between the United States and Canada stand communities of Native American people whose resilience enabled them to survive the ravages of hundreds of years of wars, eugenics, and racism that persists into the present day. These factors contributed to the decline of traditions and a...

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Main Author: Sheehan, Vera Longtoe
Format: Text
Language:unknown
Published: DigitalCommons@University of Nebraska - Lincoln 2020
Subjects:
Online Access:https://digitalcommons.unl.edu/tsaconf/1161
https://digitalcommons.unl.edu/context/tsaconf/article/2161/viewcontent/Sheehan__Native_American_Regalia.pdf
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author Sheehan, Vera Longtoe
author_facet Sheehan, Vera Longtoe
author_sort Sheehan, Vera Longtoe
collection University of Nebraska-Lincoln: DigitalCommons@UNL
description In the borderland between the United States and Canada stand communities of Native American people whose resilience enabled them to survive the ravages of hundreds of years of wars, eugenics, and racism that persists into the present day. These factors contributed to the decline of traditions and a subsequent period of cultural renewal and pride that has led up to several Abenaki tribes petitioning the State of Vermont for tribal Recognition. When the Recognition applications were compared, it became apparent that they had retained many of their agricultural traditions and that their cultural revitalization efforts could be extended not only to their ceremonial dances but also to the creation of ceremonial regalia for both their planting and harvest ceremonies. The complementary nature of regalia would help strengthen their community and restore cultural context to the dances for the first time in generations. As women from different communities prepared for the renewal of the harvest dances, questions arose around cultural identity, design motifs, materials, and the possession of the ceremonial regalia. This paper is a retelling of the process that led to creating the ceremonial garments and a description of outcomes. It sets the stage for a discussion about the essential hidden leadership roles of Native American women in consensus-based society and demonstrates how a team of Abenaki women from different communities played a crucial role in the cultural revitalization process through the creation and usage of regalia for the agricultural ceremony.
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spelling ftunivnebraskali:oai:digitalcommons.unl.edu:tsaconf-2161 2025-01-16T18:31:02+00:00 Alnôbakskwak: Native American Women Making Ceremonial Regalia Sheehan, Vera Longtoe 2020-10-01T07:00:00Z application/pdf https://digitalcommons.unl.edu/tsaconf/1161 https://digitalcommons.unl.edu/context/tsaconf/article/2161/viewcontent/Sheehan__Native_American_Regalia.pdf unknown DigitalCommons@University of Nebraska - Lincoln https://digitalcommons.unl.edu/tsaconf/1161 https://digitalcommons.unl.edu/context/tsaconf/article/2161/viewcontent/Sheehan__Native_American_Regalia.pdf Textile Society of America Symposium Proceedings Art and Design Art and Materials Conservation Art Practice Arts and Humanities Fashion Design Fiber Textile and Weaving Arts Fine Arts Museum Studies text 2020 ftunivnebraskali 2023-10-30T12:03:33Z In the borderland between the United States and Canada stand communities of Native American people whose resilience enabled them to survive the ravages of hundreds of years of wars, eugenics, and racism that persists into the present day. These factors contributed to the decline of traditions and a subsequent period of cultural renewal and pride that has led up to several Abenaki tribes petitioning the State of Vermont for tribal Recognition. When the Recognition applications were compared, it became apparent that they had retained many of their agricultural traditions and that their cultural revitalization efforts could be extended not only to their ceremonial dances but also to the creation of ceremonial regalia for both their planting and harvest ceremonies. The complementary nature of regalia would help strengthen their community and restore cultural context to the dances for the first time in generations. As women from different communities prepared for the renewal of the harvest dances, questions arose around cultural identity, design motifs, materials, and the possession of the ceremonial regalia. This paper is a retelling of the process that led to creating the ceremonial garments and a description of outcomes. It sets the stage for a discussion about the essential hidden leadership roles of Native American women in consensus-based society and demonstrates how a team of Abenaki women from different communities played a crucial role in the cultural revitalization process through the creation and usage of regalia for the agricultural ceremony. Text abenaki University of Nebraska-Lincoln: DigitalCommons@UNL Canada
spellingShingle Art and Design
Art and Materials Conservation
Art Practice
Arts and Humanities
Fashion Design
Fiber
Textile
and Weaving Arts
Fine Arts
Museum Studies
Sheehan, Vera Longtoe
Alnôbakskwak: Native American Women Making Ceremonial Regalia
title Alnôbakskwak: Native American Women Making Ceremonial Regalia
title_full Alnôbakskwak: Native American Women Making Ceremonial Regalia
title_fullStr Alnôbakskwak: Native American Women Making Ceremonial Regalia
title_full_unstemmed Alnôbakskwak: Native American Women Making Ceremonial Regalia
title_short Alnôbakskwak: Native American Women Making Ceremonial Regalia
title_sort alnôbakskwak: native american women making ceremonial regalia
topic Art and Design
Art and Materials Conservation
Art Practice
Arts and Humanities
Fashion Design
Fiber
Textile
and Weaving Arts
Fine Arts
Museum Studies
topic_facet Art and Design
Art and Materials Conservation
Art Practice
Arts and Humanities
Fashion Design
Fiber
Textile
and Weaving Arts
Fine Arts
Museum Studies
url https://digitalcommons.unl.edu/tsaconf/1161
https://digitalcommons.unl.edu/context/tsaconf/article/2161/viewcontent/Sheehan__Native_American_Regalia.pdf