Parallelism and Musical Structures in Ingrian and Karelian Oral Poetry

Listening to historical oral poetry usually means listening to sound recordings in the archives with no possibility to ask questions or compare performances by one singer in different performance arenas. Yet, when a greater amount of recordings from different singers and by different recorders is av...

Full description

Bibliographic Details
Published in:Oral Tradition
Main Author: Kallio, Kati
Other Authors: Department of Philosophy, History and Art Studies
Format: Article in Journal/Newspaper
Language:English
Published: Center for Studies in Oral Tradition 2019
Subjects:
Online Access:http://hdl.handle.net/10138/290316
Description
Summary:Listening to historical oral poetry usually means listening to sound recordings in the archives with no possibility to ask questions or compare performances by one singer in different performance arenas. Yet, when a greater amount of recordings from different singers and by different recorders is available, the comparison of these performances has the potential to reveal some locally shared understandings on the uses of poetic registers. In the present article, this setting is applied to examine the relationships of textual parallelism and musical structures in Kalevala-metric oral songs recorded from two Finnic language areas, Ingria and Karelia. Peer reviewed