Suomen rautakautiset kulkuset, kellot ja kelloriipukset : äänimaiseman arkeologiaa

• Main Author: Rainio, Riitta
• Other Authors: Järviluoma-Mäkelä, Helmi, University of Helsinki, Faculty of Arts, Department of Philosophy, History, Culture and Art Studies, Helsingin yliopisto, humanistinen tiedekunta, filosofian, historian, kulttuurin ja taiteiden tutkimuksen laitos, musiikkitiede, Helsingfors universitet, humanistiska fakulteten, institutionen för filosofi, historia, kultur- och konstforskning, Padilla, Alfonso, Tarasti, Eero, Pekkilä, Erkki
• Format: Doctoral or Postdoctoral Thesis
• Language: Finnish
• Published: Helsingin yliopisto 2010
• Subjects: musiikkitiede; karelia*; karelian
• Online Access: http://hdl.handle.net/10138/19420

The thesis addresses the problem of Finnish Iron Age bells, pellet bells and bell pendants, previously unexplored musical artefacts from 400–1300 AD. The study, which contributes to the field of music archaeology, aims to provide a gateway to ancient soundworlds and ideas of music making. The research questions include: Where did these metal artefacts come from? How did they sound? How were they used? What did their sound mean to the people of the Iron Age? The data collected at the National Museum of Finland and at several provincial museums covers a total of 486 bells, pellet bells and bell pendants. By means of a cluster analysis, each category was divided into several subgroups. The subgroups, which all seem to have a different dating and geographical distribution, represent a spread of both local and international manufacturing traditions. According to an elemental analysis, the material varies from iron to copper-tin, copper-lead and copper-tin-lead alloys. Clappers, pellets and pebbles prove that the bells and pellet bells were indisputably instruments intended for sound production. Clusters of small bell pendants, however, probably produced sound by jingling against each other. Spectrogram plots reveal that the partials of the still audible sounds range from 1 000 to 19 850 Hz. On the basis of 129 inhumation graves, hoards, barrows and stray finds, it seems evident that the bells, pellet bells and bell pendants were fastened to dresses and horse harnesses or carried in pouches and boxes. The resulting acoustic spaces could have been employed in constructing social hierarchies, since the instruments usually appear in richly furnished graves. Furthermore, the instruments repeatedly occur with crosses, edge tools and zoomorphic pendants that in the later Finnish-Karelian culture were regarded as prophylactic amulets. In the Iron Age as well as in later folk culture, the bell sounds seem to have expressed territorial, social and cosmological boundaries. Väitöskirjan aiheena ovat Suomen keski- ja ...