Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass
Anthon Möller, Gdansk’s Mannerist painter of the first half of XVIII century, caught Grass’s interest in the exceptional way. While sketching the main characteristics of Möller’s works in his novel “The Flounder”, he did not decide to give its detailed interpretation. The exception is made by introd...
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Wydawnictwo Uniwersytetu Gdańskiego
2013
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ftunivgdanskojs:oai:ojsug.pkp.sfu.ca:article/1554 2023-05-15T18:41:13+02:00 Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass Description and interpretation of the picture “The Tribute Money” by Anton Möller in Günter Grass’s novel “The Flounder” Kowalewska-Mróz, Anna 2013-04-03 https://czasopisma.bg.ug.edu.pl/index.php/SGG/article/view/1554 unknown Wydawnictwo Uniwersytetu Gdańskiego https://czasopisma.bg.ug.edu.pl/index.php/SGG/article/view/1554 Studia Germanica Gedanensia; Nr. 28 (2013): Günter Grass Werk und Rezeption; 97-106 Studia Germanica Gedanensia; No. 28 (2013): Günter Grass Werk und Rezeption; 97-106 Studia Germanica Gedanensia; Nr 28 (2013): Günter Grass Werk und Rezeption; 97-106 1230-6045 Anton Möller Günter Grass Grosz czynszowy Turbot interpretacja sztuki w literaturze The Tribute Money The Flounder interpretation of art in literature info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2013 ftunivgdanskojs 2022-09-03T16:56:02Z Anthon Möller, Gdansk’s Mannerist painter of the first half of XVIII century, caught Grass’s interest in the exceptional way. While sketching the main characteristics of Möller’s works in his novel “The Flounder”, he did not decide to give its detailed interpretation. The exception is made by introducing Möller’s picture “The Tribute Money” into the plot of “The Flounder”. The picture was only a pretext to feature the issues that interested the writer. The proof illustrating this thesis is the fact, that Christ, who was the central figure in the picture “The Tribute Money”, was replaced by the fictitious heroine of the novel – Agnieszka Kurbiela, the lover and the muse of Möller. She evokes and unites all the central plots connected with the presentation of the figure of Möller and his paintings. The analysis below shows how Grass took the advantage of the literary interpretation of this picture to present the most important plots of the novel. Anthon Möller, Gdansk’s Mannerist painter of the first half of XVIII century, caught Grass’s interest in the exceptional way. While sketching the main characteristics of Möller’s works in his novel “The Flounder”, he did not decide to give its detailed interpretation. The exception is made by introducing Möller’s picture “The Tribute Money” into the plot of “The Flounder”. The picture was only a pretext to feature the issues that interested the writer. The proof illustrating this thesis is the fact, that Christ, who was the central figure in the picture “The Tribute Money”, was replaced by the fictitious heroine of the novel – Agnieszka Kurbiela, the lover and the muse of Möller. She evokes and unites all the central plots connected with the presentation of the figure of Möller and his paintings. The analysis below shows how Grass took the advantage of the literary interpretation of this picture to present the most important plots of the novel. Opis i interpretacja obrazu Antona Möllera „Grosz czynszowy” w powieści Güntera Grassa „Turbot” Anthon Möller, gdański malarz ... Article in Journal/Newspaper Turbot University Scientific Journals University of Gdansk (UGN) |
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University Scientific Journals University of Gdansk (UGN) |
op_collection_id |
ftunivgdanskojs |
language |
unknown |
topic |
Anton Möller Günter Grass Grosz czynszowy Turbot interpretacja sztuki w literaturze The Tribute Money The Flounder interpretation of art in literature |
spellingShingle |
Anton Möller Günter Grass Grosz czynszowy Turbot interpretacja sztuki w literaturze The Tribute Money The Flounder interpretation of art in literature Kowalewska-Mróz, Anna Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass |
topic_facet |
Anton Möller Günter Grass Grosz czynszowy Turbot interpretacja sztuki w literaturze The Tribute Money The Flounder interpretation of art in literature |
description |
Anthon Möller, Gdansk’s Mannerist painter of the first half of XVIII century, caught Grass’s interest in the exceptional way. While sketching the main characteristics of Möller’s works in his novel “The Flounder”, he did not decide to give its detailed interpretation. The exception is made by introducing Möller’s picture “The Tribute Money” into the plot of “The Flounder”. The picture was only a pretext to feature the issues that interested the writer. The proof illustrating this thesis is the fact, that Christ, who was the central figure in the picture “The Tribute Money”, was replaced by the fictitious heroine of the novel – Agnieszka Kurbiela, the lover and the muse of Möller. She evokes and unites all the central plots connected with the presentation of the figure of Möller and his paintings. The analysis below shows how Grass took the advantage of the literary interpretation of this picture to present the most important plots of the novel. Anthon Möller, Gdansk’s Mannerist painter of the first half of XVIII century, caught Grass’s interest in the exceptional way. While sketching the main characteristics of Möller’s works in his novel “The Flounder”, he did not decide to give its detailed interpretation. The exception is made by introducing Möller’s picture “The Tribute Money” into the plot of “The Flounder”. The picture was only a pretext to feature the issues that interested the writer. The proof illustrating this thesis is the fact, that Christ, who was the central figure in the picture “The Tribute Money”, was replaced by the fictitious heroine of the novel – Agnieszka Kurbiela, the lover and the muse of Möller. She evokes and unites all the central plots connected with the presentation of the figure of Möller and his paintings. The analysis below shows how Grass took the advantage of the literary interpretation of this picture to present the most important plots of the novel. Opis i interpretacja obrazu Antona Möllera „Grosz czynszowy” w powieści Güntera Grassa „Turbot” Anthon Möller, gdański malarz ... |
format |
Article in Journal/Newspaper |
author |
Kowalewska-Mróz, Anna |
author_facet |
Kowalewska-Mróz, Anna |
author_sort |
Kowalewska-Mróz, Anna |
title |
Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass |
title_short |
Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass |
title_full |
Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass |
title_fullStr |
Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass |
title_full_unstemmed |
Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass |
title_sort |
beschreibung und deutung des gemäldes „der zinsgroschen“ von anton möller im roman „der butt“ von günter grass |
publisher |
Wydawnictwo Uniwersytetu Gdańskiego |
publishDate |
2013 |
url |
https://czasopisma.bg.ug.edu.pl/index.php/SGG/article/view/1554 |
genre |
Turbot |
genre_facet |
Turbot |
op_source |
Studia Germanica Gedanensia; Nr. 28 (2013): Günter Grass Werk und Rezeption; 97-106 Studia Germanica Gedanensia; No. 28 (2013): Günter Grass Werk und Rezeption; 97-106 Studia Germanica Gedanensia; Nr 28 (2013): Günter Grass Werk und Rezeption; 97-106 1230-6045 |
op_relation |
https://czasopisma.bg.ug.edu.pl/index.php/SGG/article/view/1554 |
_version_ |
1766230712674942976 |