Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass

Anthon Möller, Gdansk’s Mannerist painter of the first half of XVIII century, caught Grass’s interest in the exceptional way. While sketching the main characteristics of Möller’s works in his novel “The Flounder”, he did not decide to give its detailed interpretation. The exception is made by introd...

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Main Author: Kowalewska-Mróz, Anna
Format: Article in Journal/Newspaper
Language:unknown
Published: Wydawnictwo Uniwersytetu Gdańskiego 2013
Subjects:
Online Access:https://czasopisma.bg.ug.edu.pl/index.php/SGG/article/view/1554
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spelling ftunivgdanskojs:oai:ojsug.pkp.sfu.ca:article/1554 2023-05-15T18:41:13+02:00 Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass Description and interpretation of the picture “The Tribute Money” by Anton Möller in Günter Grass’s novel “The Flounder” Kowalewska-Mróz, Anna 2013-04-03 https://czasopisma.bg.ug.edu.pl/index.php/SGG/article/view/1554 unknown Wydawnictwo Uniwersytetu Gdańskiego https://czasopisma.bg.ug.edu.pl/index.php/SGG/article/view/1554 Studia Germanica Gedanensia; Nr. 28 (2013): Günter Grass Werk und Rezeption; 97-106 Studia Germanica Gedanensia; No. 28 (2013): Günter Grass Werk und Rezeption; 97-106 Studia Germanica Gedanensia; Nr 28 (2013): Günter Grass Werk und Rezeption; 97-106 1230-6045 Anton Möller Günter Grass Grosz czynszowy Turbot interpretacja sztuki w literaturze The Tribute Money The Flounder interpretation of art in literature info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2013 ftunivgdanskojs 2022-09-03T16:56:02Z Anthon Möller, Gdansk’s Mannerist painter of the first half of XVIII century, caught Grass’s interest in the exceptional way. While sketching the main characteristics of Möller’s works in his novel “The Flounder”, he did not decide to give its detailed interpretation. The exception is made by introducing Möller’s picture “The Tribute Money” into the plot of “The Flounder”. The picture was only a pretext to feature the issues that interested the writer. The proof illustrating this thesis is the fact, that Christ, who was the central figure in the picture “The Tribute Money”, was replaced by the fictitious heroine of the novel – Agnieszka Kurbiela, the lover and the muse of Möller. She evokes and unites all the central plots connected with the presentation of the figure of Möller and his paintings. The analysis below shows how Grass took the advantage of the literary interpretation of this picture to present the most important plots of the novel. Anthon Möller, Gdansk’s Mannerist painter of the first half of XVIII century, caught Grass’s interest in the exceptional way. While sketching the main characteristics of Möller’s works in his novel “The Flounder”, he did not decide to give its detailed interpretation. The exception is made by introducing Möller’s picture “The Tribute Money” into the plot of “The Flounder”. The picture was only a pretext to feature the issues that interested the writer. The proof illustrating this thesis is the fact, that Christ, who was the central figure in the picture “The Tribute Money”, was replaced by the fictitious heroine of the novel – Agnieszka Kurbiela, the lover and the muse of Möller. She evokes and unites all the central plots connected with the presentation of the figure of Möller and his paintings. The analysis below shows how Grass took the advantage of the literary interpretation of this picture to present the most important plots of the novel. Opis i interpretacja obrazu Antona Möllera „Grosz czynszowy” w powieści Güntera Grassa „Turbot” Anthon Möller, gdański malarz ... Article in Journal/Newspaper Turbot University Scientific Journals University of Gdansk (UGN)
institution Open Polar
collection University Scientific Journals University of Gdansk (UGN)
op_collection_id ftunivgdanskojs
language unknown
topic Anton Möller
Günter Grass
Grosz czynszowy
Turbot
interpretacja sztuki w literaturze
The Tribute Money
The Flounder
interpretation of art in literature
spellingShingle Anton Möller
Günter Grass
Grosz czynszowy
Turbot
interpretacja sztuki w literaturze
The Tribute Money
The Flounder
interpretation of art in literature
Kowalewska-Mróz, Anna
Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass
topic_facet Anton Möller
Günter Grass
Grosz czynszowy
Turbot
interpretacja sztuki w literaturze
The Tribute Money
The Flounder
interpretation of art in literature
description Anthon Möller, Gdansk’s Mannerist painter of the first half of XVIII century, caught Grass’s interest in the exceptional way. While sketching the main characteristics of Möller’s works in his novel “The Flounder”, he did not decide to give its detailed interpretation. The exception is made by introducing Möller’s picture “The Tribute Money” into the plot of “The Flounder”. The picture was only a pretext to feature the issues that interested the writer. The proof illustrating this thesis is the fact, that Christ, who was the central figure in the picture “The Tribute Money”, was replaced by the fictitious heroine of the novel – Agnieszka Kurbiela, the lover and the muse of Möller. She evokes and unites all the central plots connected with the presentation of the figure of Möller and his paintings. The analysis below shows how Grass took the advantage of the literary interpretation of this picture to present the most important plots of the novel. Anthon Möller, Gdansk’s Mannerist painter of the first half of XVIII century, caught Grass’s interest in the exceptional way. While sketching the main characteristics of Möller’s works in his novel “The Flounder”, he did not decide to give its detailed interpretation. The exception is made by introducing Möller’s picture “The Tribute Money” into the plot of “The Flounder”. The picture was only a pretext to feature the issues that interested the writer. The proof illustrating this thesis is the fact, that Christ, who was the central figure in the picture “The Tribute Money”, was replaced by the fictitious heroine of the novel – Agnieszka Kurbiela, the lover and the muse of Möller. She evokes and unites all the central plots connected with the presentation of the figure of Möller and his paintings. The analysis below shows how Grass took the advantage of the literary interpretation of this picture to present the most important plots of the novel. Opis i interpretacja obrazu Antona Möllera „Grosz czynszowy” w powieści Güntera Grassa „Turbot” Anthon Möller, gdański malarz ...
format Article in Journal/Newspaper
author Kowalewska-Mróz, Anna
author_facet Kowalewska-Mróz, Anna
author_sort Kowalewska-Mróz, Anna
title Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass
title_short Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass
title_full Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass
title_fullStr Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass
title_full_unstemmed Beschreibung und Deutung des Gemäldes „Der Zinsgroschen“ von Anton Möller im Roman „Der Butt“ von Günter Grass
title_sort beschreibung und deutung des gemäldes „der zinsgroschen“ von anton möller im roman „der butt“ von günter grass
publisher Wydawnictwo Uniwersytetu Gdańskiego
publishDate 2013
url https://czasopisma.bg.ug.edu.pl/index.php/SGG/article/view/1554
genre Turbot
genre_facet Turbot
op_source Studia Germanica Gedanensia; Nr. 28 (2013): Günter Grass Werk und Rezeption; 97-106
Studia Germanica Gedanensia; No. 28 (2013): Günter Grass Werk und Rezeption; 97-106
Studia Germanica Gedanensia; Nr 28 (2013): Günter Grass Werk und Rezeption; 97-106
1230-6045
op_relation https://czasopisma.bg.ug.edu.pl/index.php/SGG/article/view/1554
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