De Cervantes a Quevedo: testamento y muerte de don Quijote

This article presents a study of the burlesque ballad by Quevedo, entitled "Don Quixote's testament". It is a skilful rewriting of the end of Don Quixote, II, which inverts and takes many episodes and elements of the hipotextual novel to parody, with the persistence in madness of the...

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Bibliographic Details
Main Author: Adrián J. Sáez
Other Authors: Sáez, Adrián J.
Format: Article in Journal/Newspaper
Language:Spanish
Published: 2012
Subjects:
Online Access:http://hdl.handle.net/10278/3706334
https://www.unav.edu/publicaciones/revistas/index.php/la-perinola/article/view/4663
Description
Summary:This article presents a study of the burlesque ballad by Quevedo, entitled "Don Quixote's testament". It is a skilful rewriting of the end of Don Quixote, II, which inverts and takes many episodes and elements of the hipotextual novel to parody, with the persistence in madness of the protagonist as the principal and significant alteration. This artide presents a study of the burlesque ballad by Quevedo, entitled «Don Quixote's testament». It is a skilful rewriting of the end of Don Quixote, ii, which inverts and takes many episodes and elements of the hipotextual novel to parody, with the persistence in madness of the protagonist as the principal and signfficant alteration. Análisis del romance burlesco de Quevedo titulado «Testamento de don Quijote». Es una hábil reescritura del final de Don Quijote, II, que invierte y parodia distintos episodios y elementos de la novela que sirve de hipotexto, con la persistencia en la locura del protagonista como principal y significativa alteración.