FEM-IN-FLUX

• Main Author: Prebil, Inja
• Other Authors: Čerče, Ksenija
• Format: Bachelor Thesis
• Language: Slovenian
• Published: 2022
• Subjects: slikarstvo; portret; pogled; golota; fetiš; ženska podoba; hibrid; diplomska naloga; painting; portrait; the look; nudity; fetish; female image; hybrid; BA thesis; sami
• Online Access: https://repozitorij.uni-lj.si/IzpisGradiva.php?id=140610; https://repozitorij.uni-lj.si/Dokument.php?id=161374&dn=; https://repozitorij.uni-lj.si/Dokument.php?id=161375&dn=; https://hdl.handle.net/20.500.12556/RUL-140610

Pri prikazovanju podobe skozi medij je ne glede na neprepoznavnost izvirnika pomembna živa vsebina, ki jo lahko pretvorimo v portret. Glavni produkt portreta je pogled. V njem zaznamo življenje in prezenco, ki jima pomen pripisujemo sami. Z goloto se kontekst portreta spremeni. Prikazano dobi novo svojstvo. Podoba ženske je pretočna. Lahko jo dojemamo kot vir navdiha, ki nas spodbudi k raziskovanju novih potencialov, lahko je izvor fetiša ali pa živa spreminjajoča se vsebina v naši zavesti. Predmet raziskave so možni izidi teh predstav in variacij. Kaj nam podoba sporoča s pogledom? Kako gledamo nanjo? Kako nas zaznamuje? In najbolj pomembno, kako prikazati ta vprašanja v procesu kreacije? Zakaj FEM-IN-FLUX? Ker je podoba ženske nenehno v toku, tako v naši zavesti kot v družbi. Cilj je raziskati utrinke, ki jih lahko ujamemo pri pretakanju ženske podobe. When an image is represented by a medium, the content is marked as a portrait, even if the final work bears no resemblance to the original subject. The main product of a portrait is the gaze of the sitter, in which we see life and their presence, and onto which we project our own meaning. The context of a portrait changes with nudity, which gives the work a new quality. The female image is fluid. We can experience it as a source of inspiration that leads us on new paths of exploration it can be the core of a fetish, or living, changing matter in our consciousness. The subject of these paths of exploration are the possible outcomes of these ideas and variations. What does a figure want to tell us with its gaze? How do we observe it? How does it mark us? And most importantly, how do we answer these questions in the process of creating? Why FEM-IN-FLUX? Because the image of woman is constantly changing, both in our consciousness and in society. The goal is to explore the glimpses that we can capture in the flux of the female image.