Natures & Cultures: The landscape in Peterson-Berger's "Symphonica Lapponica"

When Peterson-Berger wrote his third symphony and called it "Same-ätnam. Lappland", incorporating some recently documented Sami music, and further underlining its relationship with the geographical area of Lapland and its nature in movement headings and programmatic notes, he took part in...

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Bibliographic Details
Main Author: Lindskog, AE
Other Authors: Derkert, J
Format: Article in Journal/Newspaper
Language:English
Published: Svenska samfundet för musikforskning 2011
Subjects:
Online Access:http://discovery.ucl.ac.uk/1362498/
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spelling ftucl:oai:eprints.ucl.ac.uk.OAI2:1362498 2023-05-15T17:06:57+02:00 Natures & Cultures: The landscape in Peterson-Berger's "Symphonica Lapponica" Lindskog, AE Derkert, J 2011-01 http://discovery.ucl.ac.uk/1362498/ eng eng Svenska samfundet för musikforskning STM-online (Svensk tidsskrift för musikforskning) , 14 , Article 1. (2011) Article 2011 ftucl 2014-12-17T08:19:19Z When Peterson-Berger wrote his third symphony and called it "Same-ätnam. Lappland", incorporating some recently documented Sami music, and further underlining its relationship with the geographical area of Lapland and its nature in movement headings and programmatic notes, he took part in a contemporary dialogue that surrounded ideas of nature, nation and north in Sweden. This article aims to situate the symphony in its wider ideological context by reading it with particular focus on the perspectives of ‘landscape’ that the symphony engages with. Article in Journal/Newspaper Lappland lappon* sami sami Lapland University College London: UCL Discovery Lappland ENVELOPE(18.067,18.067,65.900,65.900)
institution Open Polar
collection University College London: UCL Discovery
op_collection_id ftucl
language English
description When Peterson-Berger wrote his third symphony and called it "Same-ätnam. Lappland", incorporating some recently documented Sami music, and further underlining its relationship with the geographical area of Lapland and its nature in movement headings and programmatic notes, he took part in a contemporary dialogue that surrounded ideas of nature, nation and north in Sweden. This article aims to situate the symphony in its wider ideological context by reading it with particular focus on the perspectives of ‘landscape’ that the symphony engages with.
author2 Derkert, J
format Article in Journal/Newspaper
author Lindskog, AE
spellingShingle Lindskog, AE
Natures & Cultures: The landscape in Peterson-Berger's "Symphonica Lapponica"
author_facet Lindskog, AE
author_sort Lindskog, AE
title Natures & Cultures: The landscape in Peterson-Berger's "Symphonica Lapponica"
title_short Natures & Cultures: The landscape in Peterson-Berger's "Symphonica Lapponica"
title_full Natures & Cultures: The landscape in Peterson-Berger's "Symphonica Lapponica"
title_fullStr Natures & Cultures: The landscape in Peterson-Berger's "Symphonica Lapponica"
title_full_unstemmed Natures & Cultures: The landscape in Peterson-Berger's "Symphonica Lapponica"
title_sort natures & cultures: the landscape in peterson-berger's "symphonica lapponica"
publisher Svenska samfundet för musikforskning
publishDate 2011
url http://discovery.ucl.ac.uk/1362498/
long_lat ENVELOPE(18.067,18.067,65.900,65.900)
geographic Lappland
geographic_facet Lappland
genre Lappland
lappon*
sami
sami
Lapland
genre_facet Lappland
lappon*
sami
sami
Lapland
op_source STM-online (Svensk tidsskrift för musikforskning) , 14 , Article 1. (2011)
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