Natures & Cultures: The landscape in Peterson-Berger's "Symphonica Lapponica"
When Peterson-Berger wrote his third symphony and called it "Same-ätnam. Lappland", incorporating some recently documented Sami music, and further underlining its relationship with the geographical area of Lapland and its nature in movement headings and programmatic notes, he took part in...
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| Format: | Article in Journal/Newspaper |
| Language: | English |
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Svenska samfundet för musikforskning
2011
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| Online Access: | http://discovery.ucl.ac.uk/1362498/ |
| Summary: | When Peterson-Berger wrote his third symphony and called it "Same-ätnam. Lappland", incorporating some recently documented Sami music, and further underlining its relationship with the geographical area of Lapland and its nature in movement headings and programmatic notes, he took part in a contemporary dialogue that surrounded ideas of nature, nation and north in Sweden. This article aims to situate the symphony in its wider ideological context by reading it with particular focus on the perspectives of ‘landscape’ that the symphony engages with. |
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