The Khanty Mother of God and the Finnish woman with deep blue eyes

Välis-Eesti autori Arved Viirlaiu romaan „Märgitud“ (1980) ja handi kirjaniku Jeremei Aipini romaan „Jumalaema verisel lumel“ (2002) tõukuvad mõlemad ajaloost ja kõnelevad teekonnast: Jätkusõjas võidelnud eesti kunstnik Eigo Argeti ja tema soomlannast abikaasa Irja pääsemisest vabasse maailma ning h...

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Published in:Études finno-ougriennes
Main Author: Talivee, Elle-Mari
Format: Article in Journal/Newspaper
Language:English
Published: INALCO 2014
Subjects:
Online Access:https://doi.org/10.4000/efo.3298
http://journals.openedition.org/efo/3298
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spelling fttriple:oai:gotriple.eu:xGKKpP8Fie2CHNEXKrCmi 2023-05-15T17:02:34+02:00 The Khanty Mother of God and the Finnish woman with deep blue eyes Talivee, Elle-Mari 2014-01-01 https://doi.org/10.4000/efo.3298 http://journals.openedition.org/efo/3298 en eng INALCO Études finno-ougriennes urn:doi:10.4000/efo.3298 doi:10.4000/efo.3298 http://journals.openedition.org/efo/3298 other lic_creative-commons Études finno-ougriennes émigration guerre du Kazym nature vision du monde Kazym war Comparative Literature end of the 20th century beginning of the 21st century Estonian Finnish Hungarian Khanty Russian Estonians Agan Canada England Finland Siberia Sweden Varyogan litt lang Journal Article https://vocabularies.coar-repositories.org/resource_types/c_6501/ 2014 fttriple https://doi.org/10.4000/efo.3298 2023-01-22T19:18:20Z Välis-Eesti autori Arved Viirlaiu romaan „Märgitud“ (1980) ja handi kirjaniku Jeremei Aipini romaan „Jumalaema verisel lumel“ (2002) tõukuvad mõlemad ajaloost ja kõnelevad teekonnast: Jätkusõjas võidelnud eesti kunstnik Eigo Argeti ja tema soomlannast abikaasa Irja pääsemisest vabasse maailma ning handi naise, Laste Ema teest koju handi asulasse Kazõmi sõja päevil. Mõlemad kaotavad sel teekonnal peaaegu kõik, millesse uskusid, ometi on raamatute lõpul lootuskiir, et ka ajaloo rataste vahele jäävad väikerahvad ei jäta lootust. Artiklis on võrreldud romaanides loodud omailmu, uskumussüsteeme, nende kirjeldamise ja mäletamise viise, naise rolli erilisust ning võimalikke ühisjooni soome-ugri kirjanduste vahel. This paper will analyse the similarities between two novels, the Estonian Arved Viirlaid’s Marked, (Märgitud, 1980) and Yeremei Aipin’s The Mother of God in Bloody Snow (2002), both of which reflect deeply painful experiences of small nations. The special interrelationship proceeds from different dimensions: in the first place, from similar periods of the past, involving events that can be compared. Aipin’s novel deals with the armed uprising of the Khanty and Nenets people, known as the Kazym War (1933–1934). This pain is also what is common and familiar in both novels. Both books are largely narrated from the viewpoint of women, a Khanty wife and the Finnish wife Irja. Although the events of the past do not offer mercy, there is a tiny piece of bright future at the end of both novels: the Khanty boy is taken to the Khanty village by the sledge dog Poitek, and the half-Estonian, half-Finnish boy and girl leave with their mother for Sweden on board a ship. Two very important and very complicated parallels between these two novels are the cognition of nature and the characters’ perception of the world. This paper tries to answer the question of how common experiences are reflected in these two novels, and how this creates a common sphere of understanding. Les romans Marqué (1980) d’Arved Viirlaid, un ... Article in Journal/Newspaper khanty nenets Siberia Unknown Canada Études finno-ougriennes 46
institution Open Polar
collection Unknown
op_collection_id fttriple
language English
topic émigration
guerre du Kazym
nature
vision du monde
Kazym war
Comparative Literature
end of the 20th century
beginning of the 21st century
Estonian
Finnish
Hungarian
Khanty
Russian
Estonians
Agan
Canada
England
Finland
Siberia
Sweden
Varyogan
litt
lang
spellingShingle émigration
guerre du Kazym
nature
vision du monde
Kazym war
Comparative Literature
end of the 20th century
beginning of the 21st century
Estonian
Finnish
Hungarian
Khanty
Russian
Estonians
Agan
Canada
England
Finland
Siberia
Sweden
Varyogan
litt
lang
Talivee, Elle-Mari
The Khanty Mother of God and the Finnish woman with deep blue eyes
topic_facet émigration
guerre du Kazym
nature
vision du monde
Kazym war
Comparative Literature
end of the 20th century
beginning of the 21st century
Estonian
Finnish
Hungarian
Khanty
Russian
Estonians
Agan
Canada
England
Finland
Siberia
Sweden
Varyogan
litt
lang
description Välis-Eesti autori Arved Viirlaiu romaan „Märgitud“ (1980) ja handi kirjaniku Jeremei Aipini romaan „Jumalaema verisel lumel“ (2002) tõukuvad mõlemad ajaloost ja kõnelevad teekonnast: Jätkusõjas võidelnud eesti kunstnik Eigo Argeti ja tema soomlannast abikaasa Irja pääsemisest vabasse maailma ning handi naise, Laste Ema teest koju handi asulasse Kazõmi sõja päevil. Mõlemad kaotavad sel teekonnal peaaegu kõik, millesse uskusid, ometi on raamatute lõpul lootuskiir, et ka ajaloo rataste vahele jäävad väikerahvad ei jäta lootust. Artiklis on võrreldud romaanides loodud omailmu, uskumussüsteeme, nende kirjeldamise ja mäletamise viise, naise rolli erilisust ning võimalikke ühisjooni soome-ugri kirjanduste vahel. This paper will analyse the similarities between two novels, the Estonian Arved Viirlaid’s Marked, (Märgitud, 1980) and Yeremei Aipin’s The Mother of God in Bloody Snow (2002), both of which reflect deeply painful experiences of small nations. The special interrelationship proceeds from different dimensions: in the first place, from similar periods of the past, involving events that can be compared. Aipin’s novel deals with the armed uprising of the Khanty and Nenets people, known as the Kazym War (1933–1934). This pain is also what is common and familiar in both novels. Both books are largely narrated from the viewpoint of women, a Khanty wife and the Finnish wife Irja. Although the events of the past do not offer mercy, there is a tiny piece of bright future at the end of both novels: the Khanty boy is taken to the Khanty village by the sledge dog Poitek, and the half-Estonian, half-Finnish boy and girl leave with their mother for Sweden on board a ship. Two very important and very complicated parallels between these two novels are the cognition of nature and the characters’ perception of the world. This paper tries to answer the question of how common experiences are reflected in these two novels, and how this creates a common sphere of understanding. Les romans Marqué (1980) d’Arved Viirlaid, un ...
format Article in Journal/Newspaper
author Talivee, Elle-Mari
author_facet Talivee, Elle-Mari
author_sort Talivee, Elle-Mari
title The Khanty Mother of God and the Finnish woman with deep blue eyes
title_short The Khanty Mother of God and the Finnish woman with deep blue eyes
title_full The Khanty Mother of God and the Finnish woman with deep blue eyes
title_fullStr The Khanty Mother of God and the Finnish woman with deep blue eyes
title_full_unstemmed The Khanty Mother of God and the Finnish woman with deep blue eyes
title_sort khanty mother of god and the finnish woman with deep blue eyes
publisher INALCO
publishDate 2014
url https://doi.org/10.4000/efo.3298
http://journals.openedition.org/efo/3298
geographic Canada
geographic_facet Canada
genre khanty
nenets
Siberia
genre_facet khanty
nenets
Siberia
op_source Études finno-ougriennes
op_relation urn:doi:10.4000/efo.3298
doi:10.4000/efo.3298
http://journals.openedition.org/efo/3298
op_rights other
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op_doi https://doi.org/10.4000/efo.3298
container_title Études finno-ougriennes
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