Trois destinées, un destin
A ceremonial headdress which was part of the collection of surrealist poet André Breton was repatriated to the Kwakwaka’wakw of British Colombia in September 2003 following the initiative of Aube Elléouët-Breton and of her daughter Oona. Beginning with a critical analysis of the singular history of...
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Musée du quai Branly Jacques Chirac
2011
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fttriple:oai:gotriple.eu:oai:revues.org:gradhiva/1084 2023-05-15T16:16:58+02:00 Trois destinées, un destin Three intended, one destiny Mauzé, Marie 2011-05-15 http://journals.openedition.org/gradhiva/1084 fr fre Musée du quai Branly Jacques Chirac Gradhiva urn:doi:10.4000/gradhiva.1084 http://journals.openedition.org/gradhiva/1084 undefined Amérique du Nord (Canada) collecte collection côte nord-ouest kwakiutl (kwakwaka’wakw) objet potlatch Premières nations restitution surréalisme collecting First Nations North America (Canada) North-West coast object repatriation surrealism litt hist Journal Article https://vocabularies.coar-repositories.org/resource_types/c_6501/ 2011 fttriple https://doi.org/10.4000/gradhiva.1084 2023-01-22T18:57:10Z A ceremonial headdress which was part of the collection of surrealist poet André Breton was repatriated to the Kwakwaka’wakw of British Colombia in September 2003 following the initiative of Aube Elléouët-Breton and of her daughter Oona. Beginning with a critical analysis of the singular history of this headdress, the author brings to light the transformations of the object’s status and meaning, as well as the political, cultural and aesthetic stakes which it has raised during the course of its existence. The example of the headdress and, more broadly, that of the Potlatch Collection, shows that once an object has been removed from its original context it does not generally retrieve its initial status even when it is repatriated to the community in which it originated. Une coiffure cérémonielle faisant partie de la collection du poète surréaliste André Breton a été restituée aux Kwakwaka’wakw de Colombie-Britannique en septembre 2003 à l’initiative d’Aube Elléouët-Breton et de sa fille Oona. À partir de l’analyse critique de l’histoire singulière de la coiffure, l’auteur met au jour les transformations de statut et de signification de l’objet ainsi que les enjeux politiques, culturels et esthétiques dans lequel il a été pris au cours de son histoire. L’exemple de la coiffure, et plus largement celui de la Potlatch Collection, montre qu’un objet extrait de son contexte d’origine ne retrouve généralement pas son statut initial, même dans le cadre de sa restitution à la communauté qui l’a fait naître. Article in Journal/Newspaper First Nations Premières Nations Unknown Canada Oona ENVELOPE(162.600,162.600,-83.150,-83.150) Gradhiva 7 100 119 |
institution |
Open Polar |
collection |
Unknown |
op_collection_id |
fttriple |
language |
French |
topic |
Amérique du Nord (Canada) collecte collection côte nord-ouest kwakiutl (kwakwaka’wakw) objet potlatch Premières nations restitution surréalisme collecting First Nations North America (Canada) North-West coast object repatriation surrealism litt hist |
spellingShingle |
Amérique du Nord (Canada) collecte collection côte nord-ouest kwakiutl (kwakwaka’wakw) objet potlatch Premières nations restitution surréalisme collecting First Nations North America (Canada) North-West coast object repatriation surrealism litt hist Mauzé, Marie Trois destinées, un destin |
topic_facet |
Amérique du Nord (Canada) collecte collection côte nord-ouest kwakiutl (kwakwaka’wakw) objet potlatch Premières nations restitution surréalisme collecting First Nations North America (Canada) North-West coast object repatriation surrealism litt hist |
description |
A ceremonial headdress which was part of the collection of surrealist poet André Breton was repatriated to the Kwakwaka’wakw of British Colombia in September 2003 following the initiative of Aube Elléouët-Breton and of her daughter Oona. Beginning with a critical analysis of the singular history of this headdress, the author brings to light the transformations of the object’s status and meaning, as well as the political, cultural and aesthetic stakes which it has raised during the course of its existence. The example of the headdress and, more broadly, that of the Potlatch Collection, shows that once an object has been removed from its original context it does not generally retrieve its initial status even when it is repatriated to the community in which it originated. Une coiffure cérémonielle faisant partie de la collection du poète surréaliste André Breton a été restituée aux Kwakwaka’wakw de Colombie-Britannique en septembre 2003 à l’initiative d’Aube Elléouët-Breton et de sa fille Oona. À partir de l’analyse critique de l’histoire singulière de la coiffure, l’auteur met au jour les transformations de statut et de signification de l’objet ainsi que les enjeux politiques, culturels et esthétiques dans lequel il a été pris au cours de son histoire. L’exemple de la coiffure, et plus largement celui de la Potlatch Collection, montre qu’un objet extrait de son contexte d’origine ne retrouve généralement pas son statut initial, même dans le cadre de sa restitution à la communauté qui l’a fait naître. |
format |
Article in Journal/Newspaper |
author |
Mauzé, Marie |
author_facet |
Mauzé, Marie |
author_sort |
Mauzé, Marie |
title |
Trois destinées, un destin |
title_short |
Trois destinées, un destin |
title_full |
Trois destinées, un destin |
title_fullStr |
Trois destinées, un destin |
title_full_unstemmed |
Trois destinées, un destin |
title_sort |
trois destinées, un destin |
publisher |
Musée du quai Branly Jacques Chirac |
publishDate |
2011 |
url |
http://journals.openedition.org/gradhiva/1084 |
long_lat |
ENVELOPE(162.600,162.600,-83.150,-83.150) |
geographic |
Canada Oona |
geographic_facet |
Canada Oona |
genre |
First Nations Premières Nations |
genre_facet |
First Nations Premières Nations |
op_relation |
urn:doi:10.4000/gradhiva.1084 http://journals.openedition.org/gradhiva/1084 |
op_rights |
undefined |
op_doi |
https://doi.org/10.4000/gradhiva.1084 |
container_title |
Gradhiva |
container_issue |
7 |
container_start_page |
100 |
op_container_end_page |
119 |
_version_ |
1766002816429588480 |