Review of the Book: Juvelirnye ukrashenija tjurkskih narodov Evrazii [Jewelry of Turkic Peoples of Eurasia] (Kazan, 2018)

This article analyzes a new book by a group of authors dedicated to jewelry of the Turkic peoples of Eurasia. The study of extensive jewelry materials of the Turkic peoples of the 18th–20th centuries is important for specialists emerging from different profiles (ethnographers, archeologists, art his...

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Bibliographic Details
Published in:Golden Horde Review
Main Author: Zhilina N.V.
Format: Article in Journal/Newspaper
Language:English
Russian
Published: State Institution «Sh.Marjani Institute of History of Tatarstan Academy of Sciences» 2019
Subjects:
art
Online Access:https://doi.org/10.22378/2313-6197.2019-7-4.798-806
https://doaj.org/article/cc5c66f58b5f4232a61ac3cacdf5303d
Description
Summary:This article analyzes a new book by a group of authors dedicated to jewelry of the Turkic peoples of Eurasia. The study of extensive jewelry materials of the Turkic peoples of the 18th–20th centuries is important for specialists emerging from different profiles (ethnographers, archeologists, art historians, historians) as well as for interdisciplinary research related to the study of the culture of different nations. This study, and the new ones it stimulates, will help to clarify the historical paths of development and of cultural interaction between nations. The main content of the book is based on the principle of consistent characterization of jewelry and art of various Turkic peoples: six chapters. The book characterizes the forms of jewelry, their semantics, technology, and use in national costumes. Unfortunately, the task of studying the ornamentation of jewelry has not been set. One chapter raises the general problem of the symbolic meaning of metals in the mythology of the Turks and Mongols. The book can become a real corpus of sources only after the publication of a catalog of the materials studied in a desired second volume. The use of the typological method in the book is not always consistent and clear. While the book is colorfully illustrated, there is a lack of typological tables among the illustrations. The authors are often inclined to link earlier materials to the ones they discuss in the book. Despite some analogies, for objective comparison there is a lack of complete knowledge of the entire body of materials: typological, technological and stylistic. Each of the authors touched the stated aspects of jewelry problems with different degrees of breadth and depth. Such a situation is partly justified by the fact that the genre of this book is defined as “historical and ethnographic essays”. One of the best chapters of the book, in our opinion, is the chapter of A.I. Savvinov about jewelry of the Yakuts, fully relevant to the objective of the book. Among the strong works, there is the chapter by ...