| Summary: | Piero Terranova a publié une histoire du jazz qui est l’œuvre d’une vie (Piero Terranova, Jazz. Genealogia di un linguaggio artistico attraverso i suoi protagonisti, Palerme, Publisicula, 2010, 360 p.). Il a étudié la musique syncopée depuis ses origines (xviie siècle : chants d’esclaves, puis negro spirituals) jusqu’au free jazz, à travers les genres (blues, boogie-woogie, swing, be-bop, cool jazz, hard-bop, rock…), les principaux centres (Nouvelle-Orléans, New York, Chicago), les plus fameu. Piero Terranova published a story of jazz which is the work of a life (Piero Terranova, Jazz. Genealogia di un Linguaggio Artistico attraverso i suoi protagonisti, Palermo, Publisle, 2010, 360 p.). He studied syncopated music from his origins (xviia century: slave edges, then spiritual negro) up to the free jazz, through the genera (blues, boogie-woogy, swing, be-bop, jazz cool, hard-bop, rock, etc.), the main centres (New Orléans, New York, Chicago), the most famous, etc.
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