CFP : Les circulations artistiques Sud-Sud du XIXe siècle à nos jours (Paris, ENS, 17-19 juin 2015)

[version française en bas] South-South Axes of Global Art from the Nineteenth Century to Today Artl@s Conference, Paris, École Normale Supérieure, June 17-19, 2015 The decentered internationalism claimed by the Havana, Dakar, or Gwangju biennales, that the Venice biennale is now trying to echo by aw...

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Bibliographic Details
Main Author: fotota
Format: Other/Unknown Material
Language:French
Published: Fotota 2015
Subjects:
hist
art
North Atlantic
Online Access:http://fotota.hypotheses.org/1910
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spelling fttriple:oai:gotriple.eu:10670/1.k7sag1 2023-05-15T17:31:12+02:00 CFP : Les circulations artistiques Sud-Sud du XIXe siècle à nos jours (Paris, ENS, 17-19 juin 2015) MFF: South-South artistic circulations from the nineteenth century to the present day (Paris, ENS, 17-19 June 2015) fotota 2015-01-29 http://fotota.hypotheses.org/1910 fr fre Fotota 10670/1.k7sag1 http://fotota.hypotheses.org/1910 Fotota hist art Blog post https://vocabularies.coar-repositories.org/resource_types/c_6947/ 2015 fttriple 2023-01-22T18:45:25Z [version française en bas] South-South Axes of Global Art from the Nineteenth Century to Today Artl@s Conference, Paris, École Normale Supérieure, June 17-19, 2015 The decentered internationalism claimed by the Havana, Dakar, or Gwangju biennales, that the Venice biennale is now trying to echo by awarding Angola’s pavilion the 2013 Golden Lion, invites us to depart from an exclusively North Atlantic art history. Historicizing and measuring the circulation of art on the former margins is now a. Other/Unknown Material North Atlantic Unknown
institution Open Polar
collection Unknown
op_collection_id fttriple
language French
topic hist
art
spellingShingle hist
art
fotota
CFP : Les circulations artistiques Sud-Sud du XIXe siècle à nos jours (Paris, ENS, 17-19 juin 2015)
topic_facet hist
art
description [version française en bas] South-South Axes of Global Art from the Nineteenth Century to Today Artl@s Conference, Paris, École Normale Supérieure, June 17-19, 2015 The decentered internationalism claimed by the Havana, Dakar, or Gwangju biennales, that the Venice biennale is now trying to echo by awarding Angola’s pavilion the 2013 Golden Lion, invites us to depart from an exclusively North Atlantic art history. Historicizing and measuring the circulation of art on the former margins is now a.
format Other/Unknown Material
author fotota
author_facet fotota
author_sort fotota
title CFP : Les circulations artistiques Sud-Sud du XIXe siècle à nos jours (Paris, ENS, 17-19 juin 2015)
title_short CFP : Les circulations artistiques Sud-Sud du XIXe siècle à nos jours (Paris, ENS, 17-19 juin 2015)
title_full CFP : Les circulations artistiques Sud-Sud du XIXe siècle à nos jours (Paris, ENS, 17-19 juin 2015)
title_fullStr CFP : Les circulations artistiques Sud-Sud du XIXe siècle à nos jours (Paris, ENS, 17-19 juin 2015)
title_full_unstemmed CFP : Les circulations artistiques Sud-Sud du XIXe siècle à nos jours (Paris, ENS, 17-19 juin 2015)
title_sort cfp : les circulations artistiques sud-sud du xixe siècle à nos jours (paris, ens, 17-19 juin 2015)
publisher Fotota
publishDate 2015
url http://fotota.hypotheses.org/1910
genre North Atlantic
genre_facet North Atlantic
op_source Fotota
op_relation 10670/1.k7sag1
http://fotota.hypotheses.org/1910
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