CFP : Les circulations artistiques Sud-Sud du XIXe siècle à nos jours (Paris, ENS, 17-19 juin 2015)

[version française en bas] South-South Axes of Global Art from the Nineteenth Century to Today Artl@s Conference, Paris, École Normale Supérieure, June 17-19, 2015 The decentered internationalism claimed by the Havana, Dakar, or Gwangju biennales, that the Venice biennale is now trying to echo by aw...

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Bibliographic Details
Main Author: fotota
Format: Other/Unknown Material
Language:French
Published: Fotota 2015
Subjects:
hist
art
North Atlantic
Online Access:http://fotota.hypotheses.org/1910
Description
Summary:[version française en bas] South-South Axes of Global Art from the Nineteenth Century to Today Artl@s Conference, Paris, École Normale Supérieure, June 17-19, 2015 The decentered internationalism claimed by the Havana, Dakar, or Gwangju biennales, that the Venice biennale is now trying to echo by awarding Angola’s pavilion the 2013 Golden Lion, invites us to depart from an exclusively North Atlantic art history. Historicizing and measuring the circulation of art on the former margins is now a.

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