Island leverage: Vanessa Quai Vanuatu and transnational career performance

Performers from non-Western locations have a number of options when attempting to access Western music markets. This case analyzes the manner in which a performer from a tiny national market, remote from the Western music industry's North Atlantic center, succeeded in deploying her heritage and...

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Bibliographic Details
Published in:Popular Music and Society
Main Author: Hayward, Philip
Format: Article in Journal/Newspaper
Language:unknown
Published: ePublications@SCU 2013
Subjects:
North Atlantic
Online Access:https://epubs.scu.edu.au/research_pubs/104
https://doi.org/10.1080/03007766.2012.655448
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spelling ftsoutherncu:oai:epubs.scu.edu.au:research_pubs-1104 2023-05-15T17:30:02+02:00 Island leverage: Vanessa Quai Vanuatu and transnational career performance Hayward, Philip 2013-01-01T08:00:00Z https://epubs.scu.edu.au/research_pubs/104 https://doi.org/10.1080/03007766.2012.655448 unknown ePublications@SCU Division of Research article 2013 ftsoutherncu https://doi.org/10.1080/03007766.2012.655448 2019-08-06T12:35:19Z Performers from non-Western locations have a number of options when attempting to access Western music markets. This case analyzes the manner in which a performer from a tiny national market, remote from the Western music industry's North Atlantic center, succeeded in deploying her heritage and location to gain a foothold in regional and international markets without the involvement of a powerful Western company and/or patron to mold and mediate her access. Article in Journal/Newspaper North Atlantic Southern Cross University: epublications@SCU Popular Music and Society 36 2 162 174
institution Open Polar
collection Southern Cross University: epublications@SCU
op_collection_id ftsoutherncu
language unknown
description Performers from non-Western locations have a number of options when attempting to access Western music markets. This case analyzes the manner in which a performer from a tiny national market, remote from the Western music industry's North Atlantic center, succeeded in deploying her heritage and location to gain a foothold in regional and international markets without the involvement of a powerful Western company and/or patron to mold and mediate her access.
format Article in Journal/Newspaper
author Hayward, Philip
spellingShingle Hayward, Philip
Island leverage: Vanessa Quai Vanuatu and transnational career performance
author_facet Hayward, Philip
author_sort Hayward, Philip
title Island leverage: Vanessa Quai Vanuatu and transnational career performance
title_short Island leverage: Vanessa Quai Vanuatu and transnational career performance
title_full Island leverage: Vanessa Quai Vanuatu and transnational career performance
title_fullStr Island leverage: Vanessa Quai Vanuatu and transnational career performance
title_full_unstemmed Island leverage: Vanessa Quai Vanuatu and transnational career performance
title_sort island leverage: vanessa quai vanuatu and transnational career performance
publisher ePublications@SCU
publishDate 2013
url https://epubs.scu.edu.au/research_pubs/104
https://doi.org/10.1080/03007766.2012.655448
genre North Atlantic
genre_facet North Atlantic
op_source Division of Research
op_doi https://doi.org/10.1080/03007766.2012.655448
container_title Popular Music and Society
container_volume 36
container_issue 2
container_start_page 162
op_container_end_page 174
_version_ 1766125503060639744

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