Island leverage: Vanessa Quai Vanuatu and transnational career performance
Performers from non-Western locations have a number of options when attempting to access Western music markets. This case analyzes the manner in which a performer from a tiny national market, remote from the Western music industry's North Atlantic center, succeeded in deploying her heritage and...
| Published in: | Popular Music and Society |
|---|---|
| Main Author: | |
| Format: | Article in Journal/Newspaper |
| Language: | unknown |
| Published: |
ePublications@SCU
2013
|
| Subjects: | |
| Online Access: | https://epubs.scu.edu.au/research_pubs/104 https://doi.org/10.1080/03007766.2012.655448 |
| Summary: | Performers from non-Western locations have a number of options when attempting to access Western music markets. This case analyzes the manner in which a performer from a tiny national market, remote from the Western music industry's North Atlantic center, succeeded in deploying her heritage and location to gain a foothold in regional and international markets without the involvement of a powerful Western company and/or patron to mold and mediate her access. |
|---|