Johan Nuorgam: Sámi Squanto and cultural broker

The role of “Squantos” – different kinds of intermediators, cultural interpreters, or cultural brokers coming from native societies – has been important in encounters between Indigenous peoples and the outside world. The article describes a North Sámi broker, Johan Nuorgam, the founder of the Sámi m...

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Bibliographic Details
Published in:Nordisk Museologi
Main Author: Lehtola, Veli-Pekka
Format: Article in Journal/Newspaper
Language:English
Published: University of Oslo Library 2020
Subjects:
Online Access:https://journals.uio.no/museolog/article/view/7728
https://doi.org/10.5617/nm.7728
Description
Summary:The role of “Squantos” – different kinds of intermediators, cultural interpreters, or cultural brokers coming from native societies – has been important in encounters between Indigenous peoples and the outside world. The article describes a North Sámi broker, Johan Nuorgam, the founder of the Sámi museum in Inari, Finland. Due to dramatic incidents as a young man, he left his reindeer Sámi life to move to Helsinki, the Finnish capital in the beginning of 1930s. He worked as an informant for Finnish researchers, as a guide in a Finnish outdoor museum, a collector of Sámi artefacts, and an editing assistant in a North Sámi magazine. All this later made Nuorgam a pioneer in Sámi media and politics, as well as in museum management. In this article, I interrogate Nuorgam as a “Squanto”. The role of “Squantos” – different kinds of intermediators, cultural interpreters, or cultural brokers coming from native societies – has been important in encounters between Indigenous peoples and the outside world. The article describes a North Sámi broker, Johan Nuorgam, the founder of the Sámi museum in Inari, Finland. Due to dramatic incidents as a young man, he left his reindeer Sámi life to move to Helsinki, the Finnish capital in the beginning of 1930s. He worked as an informant for Finnish researchers, as a guide in a Finnish outdoor museum, a collector of Sámi artefacts, and an editing assistant in a North Sámi magazine. All this later made Nuorgam a pioneer in Sámi media and politics, as well as in museum management. In this article, I interrogate Nuorgam as a “Squanto”.