Blak Dot Gallery: Creation of an independent gallery for First Nations Artists and World Indigenous Cultures.
This practice-led research uses autoethnographic approaches and Indigenous-led methodologies to narrate the thirty-year journey to create an internationally recognised gallery for First Nations and world Indigenous Artists. I investigate existing colonial structures that have defined and constructed...
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ftmonashunivfig:oai:figshare.com:article/26322256 2024-09-15T18:06:26+00:00 Blak Dot Gallery: Creation of an independent gallery for First Nations Artists and World Indigenous Cultures. KIMBA LEE-ANNE THOMPSON 2024-07-18T00:14:32Z https://doi.org/10.26180/26322256.v1 https://figshare.com/articles/thesis/Blak_Dot_Gallery_Creation_of_an_independent_gallery_for_First_Nations_Artists_and_World_Indigenous_Cultures_/26322256 unknown doi:10.26180/26322256.v1 https://figshare.com/articles/thesis/Blak_Dot_Gallery_Creation_of_an_independent_gallery_for_First_Nations_Artists_and_World_Indigenous_Cultures_/26322256 In Copyright Aboriginal and Torres Strait Islander curatorial archives and museum studies Global Indigenous studies culture language and history Global Indigenous studies peoples society and community Indigenous methodologies Blak Dot Gallery Indigenous First Nations Curatorial Indigenous knowledge Text Thesis 2024 ftmonashunivfig https://doi.org/10.26180/26322256.v1 2024-07-18T23:33:53Z This practice-led research uses autoethnographic approaches and Indigenous-led methodologies to narrate the thirty-year journey to create an internationally recognised gallery for First Nations and world Indigenous Artists. I investigate existing colonial structures that have defined and constructed how Indigenous ways of knowing are displayed in gallery spaces. Through examining and presenting Blak Dot Gallery as an alternate way of looking at display practices, I argue that Blak Dot Gallery can be used as an exemplar to reconfigure and disrupt existing colonial curatorial practices, as well as model best practice curatorial processes for engaging Indigenous artists, artworks, curators and communities. Thesis First Nations Monash University: Figshare |
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Monash University: Figshare |
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ftmonashunivfig |
language |
unknown |
topic |
Aboriginal and Torres Strait Islander curatorial archives and museum studies Global Indigenous studies culture language and history Global Indigenous studies peoples society and community Indigenous methodologies Blak Dot Gallery Indigenous First Nations Curatorial Indigenous knowledge |
spellingShingle |
Aboriginal and Torres Strait Islander curatorial archives and museum studies Global Indigenous studies culture language and history Global Indigenous studies peoples society and community Indigenous methodologies Blak Dot Gallery Indigenous First Nations Curatorial Indigenous knowledge KIMBA LEE-ANNE THOMPSON Blak Dot Gallery: Creation of an independent gallery for First Nations Artists and World Indigenous Cultures. |
topic_facet |
Aboriginal and Torres Strait Islander curatorial archives and museum studies Global Indigenous studies culture language and history Global Indigenous studies peoples society and community Indigenous methodologies Blak Dot Gallery Indigenous First Nations Curatorial Indigenous knowledge |
description |
This practice-led research uses autoethnographic approaches and Indigenous-led methodologies to narrate the thirty-year journey to create an internationally recognised gallery for First Nations and world Indigenous Artists. I investigate existing colonial structures that have defined and constructed how Indigenous ways of knowing are displayed in gallery spaces. Through examining and presenting Blak Dot Gallery as an alternate way of looking at display practices, I argue that Blak Dot Gallery can be used as an exemplar to reconfigure and disrupt existing colonial curatorial practices, as well as model best practice curatorial processes for engaging Indigenous artists, artworks, curators and communities. |
format |
Thesis |
author |
KIMBA LEE-ANNE THOMPSON |
author_facet |
KIMBA LEE-ANNE THOMPSON |
author_sort |
KIMBA LEE-ANNE THOMPSON |
title |
Blak Dot Gallery: Creation of an independent gallery for First Nations Artists and World Indigenous Cultures. |
title_short |
Blak Dot Gallery: Creation of an independent gallery for First Nations Artists and World Indigenous Cultures. |
title_full |
Blak Dot Gallery: Creation of an independent gallery for First Nations Artists and World Indigenous Cultures. |
title_fullStr |
Blak Dot Gallery: Creation of an independent gallery for First Nations Artists and World Indigenous Cultures. |
title_full_unstemmed |
Blak Dot Gallery: Creation of an independent gallery for First Nations Artists and World Indigenous Cultures. |
title_sort |
blak dot gallery: creation of an independent gallery for first nations artists and world indigenous cultures. |
publishDate |
2024 |
url |
https://doi.org/10.26180/26322256.v1 https://figshare.com/articles/thesis/Blak_Dot_Gallery_Creation_of_an_independent_gallery_for_First_Nations_Artists_and_World_Indigenous_Cultures_/26322256 |
genre |
First Nations |
genre_facet |
First Nations |
op_relation |
doi:10.26180/26322256.v1 https://figshare.com/articles/thesis/Blak_Dot_Gallery_Creation_of_an_independent_gallery_for_First_Nations_Artists_and_World_Indigenous_Cultures_/26322256 |
op_rights |
In Copyright |
op_doi |
https://doi.org/10.26180/26322256.v1 |
_version_ |
1810443875200794624 |