Blak Dot Gallery: Creation of an independent gallery for First Nations Artists and World Indigenous Cultures.

This practice-led research uses autoethnographic approaches and Indigenous-led methodologies to narrate the thirty-year journey to create an internationally recognised gallery for First Nations and world Indigenous Artists. I investigate existing colonial structures that have defined and constructed...

Full description

Bibliographic Details
Main Author: KIMBA LEE-ANNE THOMPSON
Format: Thesis
Language:unknown
Published: 2024
Subjects:
Aboriginal and Torres Strait Islander curatorial
archives and museum studies
Global Indigenous studies culture
language and history
Global Indigenous studies peoples
society and community
Indigenous methodologies
Blak Dot Gallery
Indigenous
First Nations
Curatorial
Indigenous knowledge
Online Access:https://doi.org/10.26180/26322256.v1
https://figshare.com/articles/thesis/Blak_Dot_Gallery_Creation_of_an_independent_gallery_for_First_Nations_Artists_and_World_Indigenous_Cultures_/26322256
Description
Summary:This practice-led research uses autoethnographic approaches and Indigenous-led methodologies to narrate the thirty-year journey to create an internationally recognised gallery for First Nations and world Indigenous Artists. I investigate existing colonial structures that have defined and constructed how Indigenous ways of knowing are displayed in gallery spaces. Through examining and presenting Blak Dot Gallery as an alternate way of looking at display practices, I argue that Blak Dot Gallery can be used as an exemplar to reconfigure and disrupt existing colonial curatorial practices, as well as model best practice curatorial processes for engaging Indigenous artists, artworks, curators and communities.

Similar Items