Folklore of the virtual elves : social identity construction and performance in a massively multiplayer online role-playing game (MMORPG)

Thesis (M.A.)--Memorial University of Newfoundland, 2011. Folklore Bibliography: leaves 127-134. As virtual worlds gain popularity, they are quickly becoming places of online culture. Within these cultural contexts, players are re-inventing themselves through postmodern constructions of identity. Th...

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Bibliographic Details
Main Author: Staple, Benjamin, 1985-
Other Authors: Memorial University of Newfoundland. Dept. of Folklore
Format: Thesis
Language:English
Published: 2010
Subjects:
Online Access:http://collections.mun.ca/cdm/ref/collection/theses5/id/19861
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spelling ftmemorialunivdc:oai:collections.mun.ca:theses5/19861 2023-05-15T17:23:28+02:00 Folklore of the virtual elves : social identity construction and performance in a massively multiplayer online role-playing game (MMORPG) Staple, Benjamin, 1985- Memorial University of Newfoundland. Dept. of Folklore 2010 v, 142 leaves : col. ill. Image/jpeg; Application/pdf http://collections.mun.ca/cdm/ref/collection/theses5/id/19861 Eng eng Electronic Theses and Dissertations (18.66 MB) -- http://collections.mun.ca/PDFs/theses/Staple_Benjamin.pdf http://collections.mun.ca/cdm/ref/collection/theses5/id/19861 The author retains copyright ownership and moral rights in this thesis. Neither the thesis nor substantial extracts from it may be printed or otherwise reproduced without the author's permission. Paper copy kept in the Centre for Newfoundland Studies, Memorial University Libraries Internet games--Social aspects Warhammer (Game)--Social aspects Group identity Text Electronic thesis or dissertation 2010 ftmemorialunivdc 2015-08-06T19:22:48Z Thesis (M.A.)--Memorial University of Newfoundland, 2011. Folklore Bibliography: leaves 127-134. As virtual worlds gain popularity, they are quickly becoming places of online culture. Within these cultural contexts, players are re-inventing themselves through postmodern constructions of identity. This M.A. thesis explores the role of folklore in the virtual identity construction and performance within the online community of the massively multi-player online role-playing game Warhammer Online. As a product of popular culture, Warhammer Online acts as both a construction of commercialism and as a site of vernacular culture. Player communities participate in a power relationship with the development company as they negotiate the cultural commodification of play experience and vernacular appropriation. Flows of knowledge and folklore within these relationships pattern players' experience of Warhammer Online and contribute to the broader migration of player groups between virtual worlds themselves. Employing ethnographic techniques, this thesis traces the experience of players through phenomenological embodiment and self-perception in avatar creation to social performance in negotiating existential authenticity and community conflict. Thesis Newfoundland studies University of Newfoundland Memorial University of Newfoundland: Digital Archives Initiative (DAI)
institution Open Polar
collection Memorial University of Newfoundland: Digital Archives Initiative (DAI)
op_collection_id ftmemorialunivdc
language English
topic Internet games--Social aspects
Warhammer (Game)--Social aspects
Group identity
spellingShingle Internet games--Social aspects
Warhammer (Game)--Social aspects
Group identity
Staple, Benjamin, 1985-
Folklore of the virtual elves : social identity construction and performance in a massively multiplayer online role-playing game (MMORPG)
topic_facet Internet games--Social aspects
Warhammer (Game)--Social aspects
Group identity
description Thesis (M.A.)--Memorial University of Newfoundland, 2011. Folklore Bibliography: leaves 127-134. As virtual worlds gain popularity, they are quickly becoming places of online culture. Within these cultural contexts, players are re-inventing themselves through postmodern constructions of identity. This M.A. thesis explores the role of folklore in the virtual identity construction and performance within the online community of the massively multi-player online role-playing game Warhammer Online. As a product of popular culture, Warhammer Online acts as both a construction of commercialism and as a site of vernacular culture. Player communities participate in a power relationship with the development company as they negotiate the cultural commodification of play experience and vernacular appropriation. Flows of knowledge and folklore within these relationships pattern players' experience of Warhammer Online and contribute to the broader migration of player groups between virtual worlds themselves. Employing ethnographic techniques, this thesis traces the experience of players through phenomenological embodiment and self-perception in avatar creation to social performance in negotiating existential authenticity and community conflict.
author2 Memorial University of Newfoundland. Dept. of Folklore
format Thesis
author Staple, Benjamin, 1985-
author_facet Staple, Benjamin, 1985-
author_sort Staple, Benjamin, 1985-
title Folklore of the virtual elves : social identity construction and performance in a massively multiplayer online role-playing game (MMORPG)
title_short Folklore of the virtual elves : social identity construction and performance in a massively multiplayer online role-playing game (MMORPG)
title_full Folklore of the virtual elves : social identity construction and performance in a massively multiplayer online role-playing game (MMORPG)
title_fullStr Folklore of the virtual elves : social identity construction and performance in a massively multiplayer online role-playing game (MMORPG)
title_full_unstemmed Folklore of the virtual elves : social identity construction and performance in a massively multiplayer online role-playing game (MMORPG)
title_sort folklore of the virtual elves : social identity construction and performance in a massively multiplayer online role-playing game (mmorpg)
publishDate 2010
url http://collections.mun.ca/cdm/ref/collection/theses5/id/19861
genre Newfoundland studies
University of Newfoundland
genre_facet Newfoundland studies
University of Newfoundland
op_source Paper copy kept in the Centre for Newfoundland Studies, Memorial University Libraries
op_relation Electronic Theses and Dissertations
(18.66 MB) -- http://collections.mun.ca/PDFs/theses/Staple_Benjamin.pdf
http://collections.mun.ca/cdm/ref/collection/theses5/id/19861
op_rights The author retains copyright ownership and moral rights in this thesis. Neither the thesis nor substantial extracts from it may be printed or otherwise reproduced without the author's permission.
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