| Summary: | Thesis (M.A.)--Memorial University of Newfoundland, 2011. Folklore Bibliography: leaves 127-134. As virtual worlds gain popularity, they are quickly becoming places of online culture. Within these cultural contexts, players are re-inventing themselves through postmodern constructions of identity. This M.A. thesis explores the role of folklore in the virtual identity construction and performance within the online community of the massively multi-player online role-playing game Warhammer Online. As a product of popular culture, Warhammer Online acts as both a construction of commercialism and as a site of vernacular culture. Player communities participate in a power relationship with the development company as they negotiate the cultural commodification of play experience and vernacular appropriation. Flows of knowledge and folklore within these relationships pattern players' experience of Warhammer Online and contribute to the broader migration of player groups between virtual worlds themselves. Employing ethnographic techniques, this thesis traces the experience of players through phenomenological embodiment and self-perception in avatar creation to social performance in negotiating existential authenticity and community conflict.
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