| Summary: | Thesis (Ph.D.)--Memorial University of Newfoundland, 2000. English Language and Literature Bibliography: leaves [354]-377. -- Four Canadian women included are Lee Maracle, Joy Kogawa, Dianne Brand and Gail Scott. This examination of the writing by four Canadian women takes common notions of identity to task. Investigating the strategies that Lee Maracle, Joy Kogawa, Dionne Brand and Gail Scott use in their texts, this work builds an argument for a positing of identity as a kind of assemblage. Re-configuring identity as an activity or performance rather than an inborn immutable trait empowers typically-disadvantaged groups to remake their worlds by re-making their identity. -- The importance of language as shaper of culture emerges as the examined texts manifest women characters who creatively seize control of their lives. They become agents of change by entering language and wrestling with its ambiguities. These writers insert markers, codes and signs of identity into gaps and spaces in traditional forms, breaking open codified patterns. Deft, flexible, adaptive and determined, women in these texts form a bricolage of signifiers and imbue them with the potency of identity. -- Language as a bodily act, the reclamation of sexual power, an exploration of the effects of hate speech, and interrogation of racist, sexist and classist paradigms all work in these selections to support the necessity for a new understanding of identity. Specific techniques such as the trace, the transverse, the genotext, and the deployment of certain positivist values enable the writing to re-invent the nature of identity.
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