Fiddling to fortune : the role of commercial recordings made by Cape Breton fiddlers in the fiddle music tradition of Cape Breton Island

• Main Author: McKinnon, Ian Francis
• Format: Thesis
• Language: English
• Published: Memorial University of Newfoundland 1989
• Subjects: Breton Island
• Online Access: https://research.library.mun.ca/5496/; https://research.library.mun.ca/5496/1/McKinnon_IanFrancis.pdf; https://research.library.mun.ca/5496/3/McKinnon_IanFrancis.pdf

This thesis examines the role of commercial recordings made by Cape Breton fiddlers in the fiddle music tradition of Cape Breton Island. The study begins with an overview of the Cape Breton fiddle tradition including an examination of the origin and development of the tradition in the context of the historical settlement of the Island. Some treatment is also given to the place of the fiddle in the general music and dance traditions of Cape Breton as well as to the significant role that the Roman Catholic church has played in the popular development of the fiddle in Cape Breton. -- Examination of the complex role that commercial recordings have played in the tradition begins with a discussion of the recording industry and the many record companies that have been involved in the production of Cape Breton fiddle recordings. What follows this is an inquiry into the factors which have motivated the fiddlers to record commercially including: promotional vs. financial motivations; how these factors have changed with the introduction of independent record production; the problems which fiddlers have encountered in their dealings with record companies; and the growing “professional” attitude that fiddlers are developing towards their record production and their music in general. -- The study next shifts focus from the producer to the consumer with an examination of the various distinct groups of people who buy Cape Breton fiddle recordings. This leads to a discussion of the ways which the recordings have been used. Emphasis is placed here on the use of the recordings by the fiddlers themselves as tools in the learning of music; particularly style and repertoire. This inquiry shows that commercial recordings, along with home-made tapes, have become an important extension of the tradition aural learning process not only in the Cape Breton fiddle tradition but in most other folk music traditions well. -- At the core of the thesis is a discography and tune listing which were compiled with the use of a microcomputer database ...