| Summary: | The availability of high-resolution global digital elevation data sets has raised a growing interest in the feasibility of obtaining their spherical harmonic representation at matching resolution, and from there in the modelling of induced gravity perturbations. We have therefore estimated spherical Bouguer and Airy isostatic anomalies whose spherical harmonic models are derived from the Earth's topography harmonic expansion. These spherical anomalies differ from the classical planar ones and may be used in the context of new applications. We succeeded in meeting a number of challenges to build spherical harmonic models with no theoretical limitation on the resolution. A specific algorithm was developed to enable the computation of associated Legendre functions to any degree and order. It was successfully tested up to degree 32,400. All analyses and syntheses were performed, in 64 bits arithmetic and with semi-empirical control of the significant terms to prevent from calculus underflows and overflows, according to IEEE limitations, also in preserving the speed of a specific regular grid processing scheme. Finally, the continuation from the reference ellipsoid's surface to the Earth's surface was performed by high-order Taylor expansion with all grids of required partial derivatives being computed in parallel. The main application was the production of a 1' x 1' equiangular global Bouguer anomaly grid which was computed by spherical harmonic analysis of the Earth's topography-bathymetry ETOPO1 data set up to degree and order 10,800, taking into account the precise boundaries and densities of major lakes and inner seas, with their own altitude, polar caps with bedrock information, and land areas below sea level. The harmonic coefficients for each entity were derived by analyzing the corresponding ETOPO1 part, and free surface data when required, at one arc minute resolution. The following approximations were made: the land, ocean and ice cap gravity spherical harmonic coefficients were computed up to the third ...
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