Izazovi »Amerike« u hrvatskom filmu i pisanju o filmu – esej o postupnoj realizaciji naslovne metafore
The text analyses the permanent tendency of Croatian film criticism towards populist and socially engaged films. Examples of such a tendency are found in different periods, as well as posterior evaluations. Regardless external, social and ideological, differences, a preferred choice of Croatian film...
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| Format: | Text |
| Language: | Croatian |
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Croatian Academy of Science and Split Literary Circles and Arts; knjizevni-krug-split@st.t-com.hr
2007
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| Online Access: | http://hrcak.srce.hr/73008 http://hrcak.srce.hr/file/108735 |
| Summary: | The text analyses the permanent tendency of Croatian film criticism towards populist and socially engaged films. Examples of such a tendency are found in different periods, as well as posterior evaluations. Regardless external, social and ideological, differences, a preferred choice of Croatian film critics, and most of the directors, the conventional form remains, which is opposed by a small number of films, beginning with Koncert by Branko Belan in 1954, until the last 15 years with a few films such as Kamenita vrata by Ante Babaja, and Lukas Nola’s Nebo, sateliti and Sami. |
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