Domovina u književnim predlošcima za lutkarska uprizorenja

Domovina je s jedne strane prirodna činjenica, a s druge strane nije gotova datost nego politička zadaća. Mi sami sebe tek u slobodi podižemo i stvaramo svoju domovinu. Autorica odabire dva književna predloška koji tematiziraju domovinu i lutkarski su uprizoreni u Kazalištu lutaka Zadar: Pionir Gruj...

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Bibliographic Details
Main Author: Vigato, Teodora
Format: Article in Journal/Newspaper
Language:Croatian
English
Published: Croatian Academy of Science and Split Literary Circles and Arts 2019
Subjects:
Online Access:https://hrcak.srce.hr/220572
https://hrcak.srce.hr/file/322044
https://hrcak.srce.hr/file/322045
Description
Summary:Domovina je s jedne strane prirodna činjenica, a s druge strane nije gotova datost nego politička zadaća. Mi sami sebe tek u slobodi podižemo i stvaramo svoju domovinu. Autorica odabire dva književna predloška koji tematiziraju domovinu i lutkarski su uprizoreni u Kazalištu lutaka Zadar: Pionir Grujo Vladimira Nazora (1952.) i Gradovanje Tahira Mujičića (1986.). Predstave imaju različitu poetiku i nastaju u različitom kontekstu i unutar samog Kazališta lutaka Zadar ali i političkih prilika u Hrvatskoj. Lutkarska igra Pionir Grujo bila je na repertoaru Kazališta lutaka Zadar već u njegovoj prvoj godini djelovanja. Nastaje u doba socrealizma i kako bi izbjegao klišeje tadašnje književnosti, Nazor priču o Pioniru Gruji postavlja između mitologije i stvarnosti. Aktualna tema, izgradnja domovine, konkretizirana je u gradnji pruge Šamac – Sarajevo. Lutkarska igra Gradovanje nastaje u doba kada je lutkarstvo u Zadru bilo već afirmirano i spremno na neobične priče i inscenacije. Gradovanje nastaje u doba prosvijećenog ili dekadentnog socijalizma kada se Tahir Mujičić morao poslužiti bajkom kako bi predstavio svoje viđenje domovine. On the one hand a homeland is a natural fact, but on the other hand it is not something finished and given but a political task. Only in freedom can we raise and create our homeland. The author is choosing two literary templates which thematize a homeland and were staged as puppet show in the Zadar Puppet Theatre: Pioneer Grujo from Vladimir Nazor (1952.) and Towning from Tahir Mujičić (1986.). Those puppet shows have different poetics and are born in different contexts of Zadar Puppet Theatre but also in different political circumstances of Croatia as a whole. Puppet show Pionir Grujo was on the repertoire of Zadar Puppet Theatre already in its first active year. It appeared in the age of socialist realism so, to avoid literary clichés of that time, Nazor placed the story between mythology and reality. Actual theme, the creation of homeland, is concretized in the construction of railway Šamac-Sarajevo. Puppet show Towning appeared when a puppetry in Zadar had already been established and ready for unusual stories and staging. It was in the age of enlightened or decadent socialism when Tahir Mujičić was compelled to get use of a fairytale to represent its vision of homeland.