"Perhaps the Bear Heard Fleur Calling, and Answered": The Significance of Magical Realism in Louise Erdrich's Tracks as a Postcolonial Novel
In her novel Tracks, Louise Erdrich tells the story of a band of Anishinaabe early in the twentieth century. Through the two narrators, one a tribal elder and the other a mixedblood who eventually abandons the traditions of the tribe, the novel offers two divergent perspectives of the events that ta...
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ScholarWorks @ Georgia State University
2010
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| Online Access: | https://scholarworks.gsu.edu/english_theses/76 https://doi.org/10.57709/1331864 https://scholarworks.gsu.edu/context/english_theses/article/1075/viewcontent/Myrick_Emily_A_201005_MA.pdf |
| Summary: | In her novel Tracks, Louise Erdrich tells the story of a band of Anishinaabe early in the twentieth century. Through the two narrators, one a tribal elder and the other a mixedblood who eventually abandons the traditions of the tribe, the novel offers two divergent perspectives of the events that take place as the government divests the tribe of its land. The conflicting perceptions of these occurrences, which are magical realist in nature, underscore the conflict within the tribe to maintain tradition in the face of the ever-increasing influence of European settlers. The purpose of this thesis is to explore the perceptions at odds with one another in order to shed new light on the significance of Erdrich’s use of magical realism in the text. Highlighting Erdrich’s engagement with magical realism, a largely postcolonial literary device, will hopefully expand notions of identity and authenticity within the Native American literary tradition. |
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