Patricide or Mourning the Nation-State in Francis Leclerc’s Looking for Alexander
This article examines two closely connected dimensions of Francis Leclerc’s 2004 film, Looking for Alexander: a psychoanalytical dimension and a political one. Freud’s theories on the murder of the primal violent father in his essay Totem and Taboo provide the framework for a psychoanalytical interp...
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Technological University Dublin
2017
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Online Access: | https://arrow.tudublin.ie/priamls/vol2/iss1/11 https://doi.org/10.21427/D7MM7N https://arrow.tudublin.ie/context/priamls/article/1031/viewcontent/auto_convert.pdf |
Summary: | This article examines two closely connected dimensions of Francis Leclerc’s 2004 film, Looking for Alexander: a psychoanalytical dimension and a political one. Freud’s theories on the murder of the primal violent father in his essay Totem and Taboo provide the framework for a psychoanalytical interpretation of the protagonist’s fate: Alexandre Tourneur, a veterinarian struck by amnesia, embarks on a quest for his lost identity. Facilitated by the totemic figure of the deer, the act of remembering gradually leads to a conscious awakening to the events of an abusive childhood and the crime of patricide he committed as a boy during a hunting trip. The difficulty of achieving autonomy and self-determination finally points to the film’s political subtext, namely Québec’s failed attempts at independence and the ensuing loss of the dream of a Nation-State. The film’s conclusion however calls for reconciliation with First Nations and immigrant cultures within a post-referendum Québec. |
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