Media Representation of Hacker as an Edge worker: Toward a Cultural Criminological Analysis of Blue Whale Series
This study places itself within the scope of cultural criminology approach, a multidisciplinary research field that explores crime and reactions to its control from an anarchist view. Cultural criminology places the issues of meaning in the hearts of its studies. Cultural criminologists propose that...
| Main Authors: | , , |
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| Format: | Article in Journal/Newspaper |
| Language: | Persian |
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Allameh Tabataba'i University Press
2023
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| Subjects: | |
| Online Access: | https://doi.org/10.22054/jclr.2023.68449.2491 https://doaj.org/article/ee2c3953ca0e4883ac3ded3ec6e0ec83 |
| Summary: | This study places itself within the scope of cultural criminology approach, a multidisciplinary research field that explores crime and reactions to its control from an anarchist view. Cultural criminology places the issues of meaning in the hearts of its studies. Cultural criminologists propose that both crime and its control operate as cultural processes. In this theoretical approach, crime and its control are conceptualized as creative cultural products which are changing in the dynamics of social interactions. It examines how the meaning of crime and its control is continuously constructed in the nonlinear cultural, criminal, and crime control processes. It focuses on the convergence of criminal subcultures, control agents and media processes. For cultural criminologists, the media-based images of crime are one of the main sources of mediated constructions of meaning. They emphasize the centrality of media representations in the construction of crime. In this regard, it chooses an interdisciplinary approach with sociological criminology, cultural studies and media Criminology.This study sought to analyze the media-constructed lived experience of Iranian hackers by using the theoretical approach of cultural criminology. Cultural criminologists draw attention, particularly mainstream variants of criminology, to the fact that the crime control agencies are not the only creators of the meaning of crime and its control. Proposing the idea of commodification and hall of mirrors, they argue that the media representations of criminals and criminal events become a tool for creating the meaning of crime. These images create and consume by criminals, criminal subcultures and control agents. In today's highly controlled world which subcultures become marginalized, media representations become significant, exceptional sources for creating deviant subcultural reality. These images are continuously recycling and reproducing by control agents and subcultures and even other media images. Hence, we are being surrounded in a ... |
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