“The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues)
The author first got acquainted with Tuvan music in 1991, at the 2nd International Congress of Jew’s Harp Music in Yakutia, Russia. Among other ethnomusical bands from Russia’s various regions and CIS states, the Tuvan band stood out with its special techniques of playing the khomus (Jew’s harp) and...
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Novye Issledovaniâ Tuvy
2017
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ftdoajarticles:oai:doaj.org/article:dbf2abb39d0a423183f896c99f8edd04 2023-05-15T18:45:04+02:00 “The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues) Leo Tadagawa 2017-06-01T00:00:00Z https://doi.org/10.25178/nit.2017.2.7 https://doaj.org/article/dbf2abb39d0a423183f896c99f8edd04 RU rus Novye Issledovaniâ Tuvy https://nit.tuva.asia/nit/article/view/718 https://doaj.org/toc/2079-8482 2079-8482 doi:10.25178/nit.2017.2.7 https://doaj.org/article/dbf2abb39d0a423183f896c99f8edd04 Novye Issledovaniâ Tuvy, Vol 0, Iss 2 (2017) хомус варган хомусист тувинская музыка шаман С. Вайнштейн хоомей Тува шаманская практика Communities. Classes. Races HT51-1595 article 2017 ftdoajarticles https://doi.org/10.25178/nit.2017.2.7 2022-12-31T00:47:09Z The author first got acquainted with Tuvan music in 1991, at the 2nd International Congress of Jew’s Harp Music in Yakutia, Russia. Among other ethnomusical bands from Russia’s various regions and CIS states, the Tuvan band stood out with its special techniques of playing the khomus (Jew’s harp) and of throat singing which accompanied their music. One of them, Gennadii Chash, later tutored the author in throat singing during the latter’s visits to Tuva, where he also met Tuvan musicians and ethnomusicologists. The author attended a number of symposia on music in Tyva and researched the Tuvan khomus playing techniques. He also co-produced a CD with their audio recordings (2013). Of special interest for the author are the khomus playing techniques as they are used in shamanic practice. The author follows the study of the shamanic rituals as they appeared in the works of the Russian scholar Sevyan Vainshtein, in the videos made during his ethnographic field studies, and also reflects on his own observations. Article in Journal/Newspaper Yakutia Directory of Open Access Journals: DOAJ Articles Tuva ENVELOPE(12.506,12.506,65.215,65.215) The New Research of Tuva 2 |
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Directory of Open Access Journals: DOAJ Articles |
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ftdoajarticles |
language |
Russian |
topic |
хомус варган хомусист тувинская музыка шаман С. Вайнштейн хоомей Тува шаманская практика Communities. Classes. Races HT51-1595 |
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хомус варган хомусист тувинская музыка шаман С. Вайнштейн хоомей Тува шаманская практика Communities. Classes. Races HT51-1595 Leo Tadagawa “The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues) |
topic_facet |
хомус варган хомусист тувинская музыка шаман С. Вайнштейн хоомей Тува шаманская практика Communities. Classes. Races HT51-1595 |
description |
The author first got acquainted with Tuvan music in 1991, at the 2nd International Congress of Jew’s Harp Music in Yakutia, Russia. Among other ethnomusical bands from Russia’s various regions and CIS states, the Tuvan band stood out with its special techniques of playing the khomus (Jew’s harp) and of throat singing which accompanied their music. One of them, Gennadii Chash, later tutored the author in throat singing during the latter’s visits to Tuva, where he also met Tuvan musicians and ethnomusicologists. The author attended a number of symposia on music in Tyva and researched the Tuvan khomus playing techniques. He also co-produced a CD with their audio recordings (2013). Of special interest for the author are the khomus playing techniques as they are used in shamanic practice. The author follows the study of the shamanic rituals as they appeared in the works of the Russian scholar Sevyan Vainshtein, in the videos made during his ethnographic field studies, and also reflects on his own observations. |
format |
Article in Journal/Newspaper |
author |
Leo Tadagawa |
author_facet |
Leo Tadagawa |
author_sort |
Leo Tadagawa |
title |
“The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues) |
title_short |
“The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues) |
title_full |
“The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues) |
title_fullStr |
“The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues) |
title_full_unstemmed |
“The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues) |
title_sort |
“the khomus is my red deer on which i fly through the middle world” (khomus in the shamanic practice of tuva: research issues) |
publisher |
Novye Issledovaniâ Tuvy |
publishDate |
2017 |
url |
https://doi.org/10.25178/nit.2017.2.7 https://doaj.org/article/dbf2abb39d0a423183f896c99f8edd04 |
long_lat |
ENVELOPE(12.506,12.506,65.215,65.215) |
geographic |
Tuva |
geographic_facet |
Tuva |
genre |
Yakutia |
genre_facet |
Yakutia |
op_source |
Novye Issledovaniâ Tuvy, Vol 0, Iss 2 (2017) |
op_relation |
https://nit.tuva.asia/nit/article/view/718 https://doaj.org/toc/2079-8482 2079-8482 doi:10.25178/nit.2017.2.7 https://doaj.org/article/dbf2abb39d0a423183f896c99f8edd04 |
op_doi |
https://doi.org/10.25178/nit.2017.2.7 |
container_title |
The New Research of Tuva |
container_issue |
2 |
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1766236001062092800 |