“The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues)
The author first got acquainted with Tuvan music in 1991, at the 2nd International Congress of Jew’s Harp Music in Yakutia, Russia. Among other ethnomusical bands from Russia’s various regions and CIS states, the Tuvan band stood out with its special techniques of playing the khomus (Jew’s harp) and...
| Published in: | The New Research of Tuva |
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| Main Author: | |
| Format: | Article in Journal/Newspaper |
| Language: | Russian |
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Novye Issledovaniâ Tuvy
2017
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| Online Access: | https://doi.org/10.25178/nit.2017.2.7 https://doaj.org/article/dbf2abb39d0a423183f896c99f8edd04 |
| Summary: | The author first got acquainted with Tuvan music in 1991, at the 2nd International Congress of Jew’s Harp Music in Yakutia, Russia. Among other ethnomusical bands from Russia’s various regions and CIS states, the Tuvan band stood out with its special techniques of playing the khomus (Jew’s harp) and of throat singing which accompanied their music. One of them, Gennadii Chash, later tutored the author in throat singing during the latter’s visits to Tuva, where he also met Tuvan musicians and ethnomusicologists. The author attended a number of symposia on music in Tyva and researched the Tuvan khomus playing techniques. He also co-produced a CD with their audio recordings (2013). Of special interest for the author are the khomus playing techniques as they are used in shamanic practice. The author follows the study of the shamanic rituals as they appeared in the works of the Russian scholar Sevyan Vainshtein, in the videos made during his ethnographic field studies, and also reflects on his own observations. |
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