Beyond atlantic: the translation practice of Herberto Helder
Translation, in the work of writer Herberto Helder, performs a winding rewriting aimed at reenacting the voices of poets who, in different times and cultures, shared elements of a specific poetic knowledge. In the present study, I consider the hypothesis that the ways explored by the Portuguese poet...
| Published in: | Cadernos de Tradução |
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| Main Author: | |
| Format: | Article in Journal/Newspaper |
| Language: | English Spanish Portuguese |
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Universidade Federal de Santa Catarina
2014
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| Online Access: | https://doi.org/10.5007/2175-7968.2014v3nespp198 https://doaj.org/article/8517062cb7d14480bc651d3904748f6e |
| Summary: | Translation, in the work of writer Herberto Helder, performs a winding rewriting aimed at reenacting the voices of poets who, in different times and cultures, shared elements of a specific poetic knowledge. In the present study, I consider the hypothesis that the ways explored by the Portuguese poet to set up a dialogue with other texts are not restricted to the realm of a national memory nor to any sort of Portuguese mythic-imperialistic imaginary. As a translator, Helder keeps his attention on the Amerindian poetry – from the Aztec, Quechua, Yuma, Sioux, Omaha, Navajo, and Rocky Mountain peoples – as well as on the Eskimo, Tartar, Japanese, Indonesian, Arabic-Andalusian and Mexican Nahuatl poetic traditions. His translation practice seems to refuse the notion of literature as a discourse historically delimited in time and space, once he ignores a considerable part of European civilization modern poetry, and does not choose poets and poems for their belonging to a utopic only Portuguese language, rather preferring voices that heterodoxically mix raving and lucidity. |
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