The imaging of Antarctica : artistic visions in the Antarctic and sub-Antarctic since the eighteenth century ...

The aim of this thesis has been to explore and discover, expose and evaluate, the growing body of art created in the Antarctic region. The art of Antarctica is considered in three chronological chapters:- 'To the Edge', 'Light and Darkness' and 'Diffusion and Diversity'...

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Bibliographic Details
Main Author: Andrews, L
Format: Thesis
Language:unknown
Published: University Of Tasmania 2023
Subjects:
Online Access:https://dx.doi.org/10.25959/23247275
https://figshare.utas.edu.au/articles/thesis/The_imaging_of_Antarctica_artistic_visions_in_the_Antarctic_and_sub-Antarctic_since_the_eighteenth_century/23247275
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Summary:The aim of this thesis has been to explore and discover, expose and evaluate, the growing body of art created in the Antarctic region. The art of Antarctica is considered in three chronological chapters:- 'To the Edge', 'Light and Darkness' and 'Diffusion and Diversity'. An 'Introduction' provides a critical appraisal of the extant literature on the visual arts of the region. 'To the Edge' examines the art created in the period up until the end of the nineteenth century; 'Light and Darkness' investigates the art of the Heroic Era when the Antarctic continent was gradually colonised; and 'Diffusion and Diversity' considers the work of artists (principally Australian artists) who have visited Antarctica since the Second World War. The thesis argues that, although a significant body of visual art has now been produced, there is not one central dominant theoretical thread. Various underlying influences, however, such as those of geo-politics, science, fact and fantasy, and the use of the camera, are discussed ...