Искусство инструментального исполнительства Сахалинского региона : The Art of Instrumental Performance оf the Sakhalin Region

• Main Author: Садыкова Н.В.
• Format: Text
• Language: unknown
• Published: Культурная жизнь Юга России 2021
• Subjects: музыкальная культура Сахалина; инструментальное исполнительство; фольклор; традиционное музицирование; концертно-фестивальная деятельность; творчество коренных малых народов Севера; musical culture of Sakhalin; instrumental performance; folklore; traditional music making; concert and festival activities; creativity of indigenous small peoples of North; Sakhalin
• Online Access: https://dx.doi.org/10.24412/2070-075x-2021-4-25-32; https://cyberleninka.ru/article/n/iskusstvo-instrumentalnogo-ispolnitelstva-sahalinskogo-regiona

Статья посвящена развитию искусства инструментального исполнительства Сахалинского региона. Впервые систематизируются сведения о самодеятельных и профессиональных творческих коллективах, а также направленность их репертуара, обозначаются тенденции развития инструментального искусства островного региона. На основе источниковедческой работы впервые представляется жанровая панорама инструментального исполнительского искусства. Описывается многообразие проявлений традиции инструментального исполнительства Сахалинской области. : The article considers the development of the art of instrumental performance in one of the most poorly studied regions of the country in the field of musical art – the Sakhalin region. The features of the historical processes of the development of amateur performances are considered. The role of the cultural policy of the island region in the preservation of the spiritual and intangible heritage of the peoples of the region, in the development and popularization of the musical art of the region is revealed. The aim of this work is to determine the current state of instrumental performance of the island region in connection with the transmission of folklore tradition and amateur performances. The latter predetermined the success of the emergence and development of professional creative teams. The novelty of the work is associated with the generalization and systematization of information on national, amateur, and professional instrumental groups. Due to the lack of fundamental research on the musical culture of Sakhalin, this work is of particular importance and relevance. On the basis of archival and source studies (collection, processing, systematization of information), generalization of publications about performing groups on official web resources and in the media, for the first time an attempt is made to present a genre panorama of instrumental performing art. The systematization of information about the correlation of the development of traditional, artistic, and amateur instrumental culture and professional performance will complement the picture of the development of Russian musical culture and art of the modern period, assess the formation of its individual sections, initiate further fixation, scientific understanding and description of incomplete processes occurring at the moment, and also hypothetically predict their dynamics.