Contested Spaces, Shared Places: The Museum of Anthropology at UBC, Aboriginal Peoples, and Postcolonial Criticism ...
Postcolonial critics have, over the last few decades, shaken the foundations upon which the museum world has rested. Museums, in turn, have had to deal with the political backlash from First Nations and their supporters for possessing stolen objects, essentializing Aboriginal identities while exclud...
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| Format: | Article in Journal/Newspaper |
| Language: | English |
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BC Studies: The British Columbian Quarterly
2010
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| Online Access: | https://dx.doi.org/10.14288/bcs.v0i165.317 https://ojs.library.ubc.ca/index.php/bcstudies/article/view/317 |
| Summary: | Postcolonial critics have, over the last few decades, shaken the foundations upon which the museum world has rested. Museums, in turn, have had to deal with the political backlash from First Nations and their supporters for possessing stolen objects, essentializing Aboriginal identities while excluding Native voices from exhibit-creation process, and being complicit in state-sponsored colonialism. However, Aboriginal communities and individuals have never been entirely absent from museums. They have had a powerful and increasingly prominent presence, with many Natives taking pride in and believing in the usefulness of museum mandates. This essay uses the relationship between the Museum of Anthropology (MOA) at the University of British Columbia and First Nations, in particular the Stó:lō, to demonstrate these inconsistencies. In order to address the tension between postcolonial theory and historical practice, this essay contends that while criticisms of museums are indeed justified and do apply to MOA, many ... : BC Studies: The British Columbian Quarterly, No 165: Spring 2010 ... |
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