FORGING NEW PARTNERSHIPS: COAST SALISH COMMUNITIES AND MUSEUMS
ii In recent years, much has been written about the changing relationships between museum professionals and First Nations. However, most of these accounts have been authored by the former group, while First Nations perspectives are conveyed through second hand accounts or less frequently the writing...
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ftciteseerx:oai:CiteSeerX.psu:10.1.1.465.119 2023-05-15T16:15:33+02:00 FORGING NEW PARTNERSHIPS: COAST SALISH COMMUNITIES AND MUSEUMS Sharon Michelle Fortney The Pennsylvania State University CiteSeerX Archives 2009 application/pdf http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.465.119 http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/BVAU/TC-BVAU-13625.pdf en eng http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.465.119 http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/BVAU/TC-BVAU-13625.pdf Metadata may be used without restrictions as long as the oai identifier remains attached to it. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/BVAU/TC-BVAU-13625.pdf text 2009 ftciteseerx 2016-01-08T06:51:33Z ii In recent years, much has been written about the changing relationships between museum professionals and First Nations. However, most of these accounts have been authored by the former group, while First Nations perspectives are conveyed through second hand accounts or less frequently the writings of indigenous scholars and artists. This thesis explores another type of viewpoint by presenting perspectives shared by individuals living and working in Coast Salish communities in Canada and the United States. The intent is to gain a clearer picture of something that has been referred to as the “democratization of the museum ” by Canadian museum professionals such as Duncan Cameron (1982). Has access to museums and their resources dramatically increased? Is this reflected in current museum practice, exhibits, and public programs? To better understand the current status of community and museum partnerships I explore what drives Coast Salish communities to participate in museum representations (and other public commemorations). I also discuss some of the legal implications such Text First Nations Unknown Canada |
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description |
ii In recent years, much has been written about the changing relationships between museum professionals and First Nations. However, most of these accounts have been authored by the former group, while First Nations perspectives are conveyed through second hand accounts or less frequently the writings of indigenous scholars and artists. This thesis explores another type of viewpoint by presenting perspectives shared by individuals living and working in Coast Salish communities in Canada and the United States. The intent is to gain a clearer picture of something that has been referred to as the “democratization of the museum ” by Canadian museum professionals such as Duncan Cameron (1982). Has access to museums and their resources dramatically increased? Is this reflected in current museum practice, exhibits, and public programs? To better understand the current status of community and museum partnerships I explore what drives Coast Salish communities to participate in museum representations (and other public commemorations). I also discuss some of the legal implications such |
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The Pennsylvania State University CiteSeerX Archives |
format |
Text |
author |
Sharon Michelle Fortney |
spellingShingle |
Sharon Michelle Fortney FORGING NEW PARTNERSHIPS: COAST SALISH COMMUNITIES AND MUSEUMS |
author_facet |
Sharon Michelle Fortney |
author_sort |
Sharon Michelle Fortney |
title |
FORGING NEW PARTNERSHIPS: COAST SALISH COMMUNITIES AND MUSEUMS |
title_short |
FORGING NEW PARTNERSHIPS: COAST SALISH COMMUNITIES AND MUSEUMS |
title_full |
FORGING NEW PARTNERSHIPS: COAST SALISH COMMUNITIES AND MUSEUMS |
title_fullStr |
FORGING NEW PARTNERSHIPS: COAST SALISH COMMUNITIES AND MUSEUMS |
title_full_unstemmed |
FORGING NEW PARTNERSHIPS: COAST SALISH COMMUNITIES AND MUSEUMS |
title_sort |
forging new partnerships: coast salish communities and museums |
publishDate |
2009 |
url |
http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.465.119 http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/BVAU/TC-BVAU-13625.pdf |
geographic |
Canada |
geographic_facet |
Canada |
genre |
First Nations |
genre_facet |
First Nations |
op_source |
http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/BVAU/TC-BVAU-13625.pdf |
op_relation |
http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.465.119 http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/BVAU/TC-BVAU-13625.pdf |
op_rights |
Metadata may be used without restrictions as long as the oai identifier remains attached to it. |
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1766001313404944384 |