FORGING NEW PARTNERSHIPS: COAST SALISH COMMUNITIES AND MUSEUMS
ii In recent years, much has been written about the changing relationships between museum professionals and First Nations. However, most of these accounts have been authored by the former group, while First Nations perspectives are conveyed through second hand accounts or less frequently the writing...
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| Format: | Text |
| Language: | English |
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2009
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| Online Access: | http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.465.119 http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/BVAU/TC-BVAU-13625.pdf |
| Summary: | ii In recent years, much has been written about the changing relationships between museum professionals and First Nations. However, most of these accounts have been authored by the former group, while First Nations perspectives are conveyed through second hand accounts or less frequently the writings of indigenous scholars and artists. This thesis explores another type of viewpoint by presenting perspectives shared by individuals living and working in Coast Salish communities in Canada and the United States. The intent is to gain a clearer picture of something that has been referred to as the “democratization of the museum ” by Canadian museum professionals such as Duncan Cameron (1982). Has access to museums and their resources dramatically increased? Is this reflected in current museum practice, exhibits, and public programs? To better understand the current status of community and museum partnerships I explore what drives Coast Salish communities to participate in museum representations (and other public commemorations). I also discuss some of the legal implications such |
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