Walking with Shadows: Index, Inscription and Event in Malcolm Lowry's In Ballast to the White Sea
The project is part of a larger body of work and collection of photographs and writing, which responds to the landmarks and sites cited or alluded to in Malcolm Lowry's novel In Ballast to the White Sea. A methodology which is rooted in autoethnographic artist practices and journey retraces the...
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Book Part |
| Language: | unknown |
| Published: |
Liverpool University Press
2021
|
| Subjects: | |
| Online Access: | http://hdl.handle.net/10034/624258 https://chesterrep.openrepository.com/bitstream/handle/10034/624258/quayle_walking_with_shadows_lowry_in_ballast.pdf?sequence=2 |
| Summary: | The project is part of a larger body of work and collection of photographs and writing, which responds to the landmarks and sites cited or alluded to in Malcolm Lowry's novel In Ballast to the White Sea. A methodology which is rooted in autoethnographic artist practices and journey retraces the footsteps of Malcolm Lowry over the Wirral to Liverpool, across the Irish Sea to the Isle of Man, to Vancouver and elsewhere. The events and encounters are recorded in a practice, which traverses the same terrain or one which stands in for the same as well as encompassing the potential for a detour which leads to new experience and what in psychogepgraphic terms is referred to as a dérive. From the Liverpool University Press website: An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. ‘Who ever thought they would one day be able to read Malcolm Lowry’s fabled novel of the 1930s and 40s, In Ballast to the White Sea? Lord knows, I didn’t’ – Michael Hofmann, TLS This book breaks new ground in studies of the British novelist Malcolm Lowry (1909–57), as the first collection of new essays produced in response to the publication in 2014 of a scholarly edition of Lowry’s ‘lost’ novel, In Ballast to the White Sea. In their introduction, editors Helen Tookey and Bryan Biggs show how the publication of In Ballast sheds new light on Lowry as both a highly political writer and one deeply influenced by his native Merseyside, as his protagonist Sigbjørn Hansen-Tarnmoor walks the streets of Liverpool, wrestling with his own conscience and with pressing questions of class, identity and social reform. In the chapters that follow, renowned Lowry scholars and newer voices explore key aspects of the novel and its relation to the wider contexts of Lowry’s work. These include his complex relation to socialism and communism, the symbolic value of Norway, and the significance of tropes of loss, hauntings and doublings. The book draws on the unexpected opportunity offered by the ... |
|---|