La participation photographique des Inuit dans le développement touristique du parc national Tursujuq (Nunavik)

International audience Photographic participation by Inuit in tourism development of Tursujuq National Park (Nunavik) Nunavik landscapes are represented by the images of national and international tourism and not by those that Inuit themselves have chosen and interpreted. With globalisation and the...

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Bibliographic Details
Main Authors: Joliet, Fabienne, Blouin-Gourbillière, Claire
Other Authors: Espaces et Sociétés (ESO), Institut de Géographie et d'Aménagement Régional de l'Université de Nantes (IGARUN), Université de Nantes (UN)-Université de Nantes (UN)-Centre National de la Recherche Scientifique (CNRS)-Université de Rennes 2 (UR2), Université de Rennes (UNIV-RENNES)-Université de Rennes (UNIV-RENNES)-AGROCAMPUS OUEST, Institut national d'enseignement supérieur pour l'agriculture, l'alimentation et l'environnement (Institut Agro)-Institut national d'enseignement supérieur pour l'agriculture, l'alimentation et l'environnement (Institut Agro)-Université d'Angers (UA)-Université de Caen Normandie (UNICAEN), Normandie Université (NU)-Normandie Université (NU)-Le Mans Université (UM), IPEV Institut Polaire Paul Emile Victor FRANCE
Format: Article in Journal/Newspaper
Language:French
Published: HAL CCSD 2012
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Online Access:https://hal-agrocampus-ouest.archives-ouvertes.fr/hal-01826313
https://hal-agrocampus-ouest.archives-ouvertes.fr/hal-01826313/document
https://hal-agrocampus-ouest.archives-ouvertes.fr/hal-01826313/file/Joliet%20et%20Blouin-Gourbili%C3%A8re%20pr%C3%A9final%20Auteures-1.pdf
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Summary:International audience Photographic participation by Inuit in tourism development of Tursujuq National Park (Nunavik) Nunavik landscapes are represented by the images of national and international tourism and not by those that Inuit themselves have chosen and interpreted. With globalisation and the power of images, there is a growing need by territories and identities for media exposure, which is being met on the one hand by the emergence of Inuit photography and on the other by Western visual materials. Additionally, a participatory democracy is now in charge of all development projects. Hence, in a territory where three Aboriginal languages (Inuktitut, Cree, and Naskapi) are spoken along with French and English, how can Inuit imageability be used to mediate the representation of landscapes for a proposed Quebec national park?