Iceland Through the Eyes of William Morris: An Aesthetic Antithesis to England’s Industrial Revolution
The project for which I received an ORCA grant in the 2014-2015 academic year stemmed from my senior thesis project, a requirement for graduating with a bachelor’s degree in art history and curatorial studies, which I did in August 2015. The senior thesis project includes writing a 15- page resear...
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ftbrighamyoung:oai:scholarsarchive.byu.edu:jur-1886 2024-04-21T08:05:24+00:00 Iceland Through the Eyes of William Morris: An Aesthetic Antithesis to England’s Industrial Revolution Snow, Emily Swenson, James 2016-01-20T08:00:00Z application/pdf https://scholarsarchive.byu.edu/jur/vol2016/iss1/103 https://scholarsarchive.byu.edu/context/jur/article/1886/viewcontent/auto_convert.pdf unknown BYU ScholarsArchive https://scholarsarchive.byu.edu/jur/vol2016/iss1/103 https://scholarsarchive.byu.edu/context/jur/article/1886/viewcontent/auto_convert.pdf Journal of Undergraduate Research William Morris aesthetic antithesis England's Industrial Revolution Art and Design text 2016 ftbrighamyoung 2024-03-27T15:14:02Z The project for which I received an ORCA grant in the 2014-2015 academic year stemmed from my senior thesis project, a requirement for graduating with a bachelor’s degree in art history and curatorial studies, which I did in August 2015. The senior thesis project includes writing a 15- page research paper and giving a ten-minute formal. My topic of choice was the connection between William Morris’s textile designs c. 1875-1885 and his travels to Iceland in 1871 and 1873. Text Iceland Orca Brigham Young University (BYU): ScholarsArchive |
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Brigham Young University (BYU): ScholarsArchive |
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ftbrighamyoung |
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topic |
William Morris aesthetic antithesis England's Industrial Revolution Art and Design |
spellingShingle |
William Morris aesthetic antithesis England's Industrial Revolution Art and Design Snow, Emily Swenson, James Iceland Through the Eyes of William Morris: An Aesthetic Antithesis to England’s Industrial Revolution |
topic_facet |
William Morris aesthetic antithesis England's Industrial Revolution Art and Design |
description |
The project for which I received an ORCA grant in the 2014-2015 academic year stemmed from my senior thesis project, a requirement for graduating with a bachelor’s degree in art history and curatorial studies, which I did in August 2015. The senior thesis project includes writing a 15- page research paper and giving a ten-minute formal. My topic of choice was the connection between William Morris’s textile designs c. 1875-1885 and his travels to Iceland in 1871 and 1873. |
format |
Text |
author |
Snow, Emily Swenson, James |
author_facet |
Snow, Emily Swenson, James |
author_sort |
Snow, Emily |
title |
Iceland Through the Eyes of William Morris: An Aesthetic Antithesis to England’s Industrial Revolution |
title_short |
Iceland Through the Eyes of William Morris: An Aesthetic Antithesis to England’s Industrial Revolution |
title_full |
Iceland Through the Eyes of William Morris: An Aesthetic Antithesis to England’s Industrial Revolution |
title_fullStr |
Iceland Through the Eyes of William Morris: An Aesthetic Antithesis to England’s Industrial Revolution |
title_full_unstemmed |
Iceland Through the Eyes of William Morris: An Aesthetic Antithesis to England’s Industrial Revolution |
title_sort |
iceland through the eyes of william morris: an aesthetic antithesis to england’s industrial revolution |
publisher |
BYU ScholarsArchive |
publishDate |
2016 |
url |
https://scholarsarchive.byu.edu/jur/vol2016/iss1/103 https://scholarsarchive.byu.edu/context/jur/article/1886/viewcontent/auto_convert.pdf |
genre |
Iceland Orca |
genre_facet |
Iceland Orca |
op_source |
Journal of Undergraduate Research |
op_relation |
https://scholarsarchive.byu.edu/jur/vol2016/iss1/103 https://scholarsarchive.byu.edu/context/jur/article/1886/viewcontent/auto_convert.pdf |
_version_ |
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